Loin, 2020
Sculpture : bronze · 29 x 13 x 14 cm 11.4 x 5.1 x 5.5 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : numbered and limited to 12 copies
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Artwork signed in the mold
Dimensions ( cm • inch )
29 x 13 x 14 cm 11.4 x 5.1 x 5.5 inch Height x Width x Depth
Dimensions of pedestal:
0.4 x 10 x 10 cm 0.2 x 3.9 x 3.9 inch
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2019
Description
Beatrice Cols is an accomplished woman, also a grandmother, who uses the trials and joys of her life and immortalizes them in the material ... Matter yes but, misleading because at first glance we think it's earth, fragile, but also a rather raw, mastered and desired rendering... But, at the second glance, bluffed we touch the work, which attracts - we want to protect it, to caress it ! We then feel the bronze under our fingers...
Beatrice makes only 8 + 4 copies of her works, called original works; then the mould is destroyed to make her works more precise...
Carefully cast, stamped by the foundry, numbered and signed with the initials of the artist B.C. Beatrice does not produce many works... This is a work for collectors. This one is the N°4/8.
Beatrice makes only 8 + 4 copies of her works, called original works; then the mould is destroyed to make her works more precise...
Carefully cast, stamped by the foundry, numbered and signed with the initials of the artist B.C. Beatrice does not produce many works... This is a work for collectors. This one is the N°4/8.
Presentation
Béatrice is a complete artist at the same time painter but also recently sculptor, it was only at the age of 60 years old that Béatrice wanted to return to art school to learn bronze sculpture techniques, after a career as a painter in Brussels. Successfully, since today Béatrice offers us original bronzes that are edited only on 8 + 4 = 12 pieces for the world! Then the lost wax mould is destroyed to secure the total number.
She captures the emotion, the energy of the movement and immortalises it in bronze! Her patina and finish are atypical, because one would believed that the sculpture is fragile as it looks like ceramic. It makes us feel like it needs to be protected. It's surprising because in fact it's bronze, and therefore solid!
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