Kensho 2249, 2019
Sculpture : digigraphy · 114 x 26.6 x 2 cm 44.9 x 10.5 x 0.8 inch
$800
800 $US
Delivered in time for Christmas
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Shipped from: Japan
Delivery to: United States , $ 88
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
digigraphy , without pedestal
Dimensions ( cm • inch )
114 x 26.6 x 2 cm 44.9 x 10.5 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Inkjet print of digtial photgraph on Kakejikuya kozo washi with origami backing paper
Kensho Scrolls:
“Kensho” is a Zen phrase referring to experiences of seeing the true nature of things, the path to achieving enlightenment facilitated by meditation. In the Soto school of Zen, meditation is performed facing a wall. This is why these works show their subjects against walls or wall-like expanses. One interpretation of the pieces in this series is as a metaphor for ourselves as living beings engaging “the wall” to achieve illumination. The work in this series is realized as scrolls. This is a time-honored way of presenting images in Japan, where artwork traditionally is not left out indefinitely, but selected for contemplation for its resonance with a specific occasion, then put away. They are created in diverse materials including Japanese washi paper and gold, silver and other metallic leaf papers, expressing the different dimensions of our experiences of the beautiful moments in our lives. Each image is created in a given size and material only once, making it a unique piece resonating with the idea of ichigo-ichie, “one time, one meeting” celebrating the uniqueness of each moment, embodied with particular clarity in the aesthetics of the Way of Tea.
Kensho Scrolls:
“Kensho” is a Zen phrase referring to experiences of seeing the true nature of things, the path to achieving enlightenment facilitated by meditation. In the Soto school of Zen, meditation is performed facing a wall. This is why these works show their subjects against walls or wall-like expanses. One interpretation of the pieces in this series is as a metaphor for ourselves as living beings engaging “the wall” to achieve illumination. The work in this series is realized as scrolls. This is a time-honored way of presenting images in Japan, where artwork traditionally is not left out indefinitely, but selected for contemplation for its resonance with a specific occasion, then put away. They are created in diverse materials including Japanese washi paper and gold, silver and other metallic leaf papers, expressing the different dimensions of our experiences of the beautiful moments in our lives. Each image is created in a given size and material only once, making it a unique piece resonating with the idea of ichigo-ichie, “one time, one meeting” celebrating the uniqueness of each moment, embodied with particular clarity in the aesthetics of the Way of Tea.
Presentation
Kojun is a self-taught American multimedia artist born in 1977 who lives and works in Tokyo, Japan. Working on his life experiences in Japan and building on his original university studies focusing on Japanese society, religion, and aesthetics, Kojun’s work explores the experiences of beauty glimpsed in everyday life.Having focused at university on Japanese society, religion, and aesthetics, he returned to his studies in Japan to pick up threads from Zen spirituality, Japanese aesthetics and the conception of mono-no-aware: the transient beauty of the ever-changing world. He continues to expand his perspective with resonant ideas from other traditions such as Daoist, Stoicism, and Neoplatonic philosophy. In these explorations, he has found all pointing in a certain direction: Showing a way forward by awakening to the beauty in every moment. Moving into visual expression in multiple media starting in 2019, this way of thinking is expressed in his artist’s name Kojun, written using characters conveying the idea of illuminating and enriching the soul. He seeks to engage with soul-enriching experiences of beauty in everyday moments. Realized in a variety of media, the pieces he creates are meant to serve as tools for the heart, objects for contemplation as markers on the path to illumination.
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