Shurale, 2024
Zulfiya Spowart  

Sculpture : wood, cotton · 115 x 95 x 3 cm 45.3 x 37.4 x 1.2 inch

€3,000 3 000 €

One of the last works available by this artist

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Shipped from: France

Delivery to: France , € 64

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cminch )

115 x 95 x 3 cm 45.3 x 37.4 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2017 • Top Seller

Discount

This seller offers discount when you purchase multiple artworks.

Description

Cotton, vintage silk, vintage jacquard (natural dye, hand stitched), wood (wood paint, wood wax, hand wood carving)

Spowart's large-scale blankets link us with childhood, corporeality and folklore. The artist transforms self-portraits and photographs of her children using angles of the photos at eye level, to represent the artist's view of herself from the side. They serve as the main reference for her textile objects, alongside folklore motifs from different cultures. 

The search for textiles becomes a challenge as Spowart uses textiles from Uzbekistan, her homeland. Sewing becomes the artistic meditative process and evolves around labour-intensive, contemplative practices to show the tactile nature and unbreakable bond between a mother and her children. 

Portrait

Everyday life

Wall sculpture

Textile Art

Baby

Children

Family

Mother

Beige

Uzbekistan  • 1991

Presentation

Zulfiya Spowart (b. 1991, Tashkent, Uzbekistan) is a multidisciplinary artist based in London. She is a participating artist in The Aural Sea, the Uzbekistan Pavilion at the 61st Venice Biennale (2026). She holds a BA in Mural Art from the National Institute of Art and Design named after Kamoliddin Behzod.

Working across textiles, wood, sculpture and installation, Spowart builds material environments through processes of stitching, layering, carving and assembly. Using recycled and previously used materials that retain traces of touch, labour and repair, she treats materiality as a register of embodied experience, repetition and transmission. Her practice explores care as a system that operates across domestic, institutional and social structures, encompassing motherhood, childcare, ageing, illness and forms of bodily regulation. Through these interconnected conditions, she examines how everyday acts of support, maintenance and discipline shape lived experience while often remaining outside public visibility.

Drawing on Central Asian material cultures as systems of knowledge rather than vernacular forms, her work foregrounds the relationship between function, gesture and collective memory. Forms emerge through use, carrying histories of labour, care and intergenerational transmission.

Recent presentations include Elly-Belly (London, 2024), In/Visible: The Changing Shape of Womanhood(France, 2024), participation in the Silk Road Pavilion at the London Design Biennale, Surface Reflections (Somerset House, 2025). She was an artist in residence at Art'otel Hoxton, London, in 2025. Her work is held in the permanent collection of the Ruhsor Museum of Contemporary Art in Samarkand and in the collection of Regeneration Gallery, Tashkent.

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