Flooding IV, 2023
Romain Liverato  

Photography : acrylic, color edition, paper, HD print, fine art print, mixed media · 40 x 60 x 1 cm 15.7 x 23.6 x 0.4 inch · Ready to hang

€650 650 €
Shipping & delivery

Shipped from: France

Delivery to: France , € 36

Estimated delivery: Two to three weeks

Free returns within 14 days, full refund

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Sold with certificate of Authenticity from the artist

Invoice from the artist Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Signed artwork

Technique & Support

acrylic, color edition, paper, HD print, fine art print, mixed media on Hahnemuehle fine art paper

Dimensions ( cminch )

40 x 60 x 1 cm 15.7 x 23.6 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

50 x 70 x 3.5 cm 19.7 x 27.6 x 1.4 inch

Sold by

Independent artist

Credentials

Vetted seller since 2021

Discount

This seller offers discount when you purchase multiple artworks.

Description
Behind the window, the waves. They suggest the rise of oceans or even floods caused by natural disasters. The underwater background present in the window suggests a distancing because this phenomenon still seems distant to us most of the time, not concrete. However, the phenomenon is very present and flows, not only overflowing the window but also the frame, meaning that it is not only palpable but has a propensity to spread. The artist's choice to choose a color photograph, compared to the black and white photograph of the window, underlines the contemporaneity of the phenomenon. Photographs printed on Hahnemuehle fine art paper, 308g photorag for one, 320g baryta for the other, acrylic, wooden frame.

Architecture

Colors

Ecology

Landscape

Street photography

Eco art

Romain Liverato, Flooding IV
France  • 1982

Presentation

Photographer for 11 years, whose photographic quest has always been that of the intact landscape. This sought-after intimacy with nature, the landscape is called into question by the omnipresence of mankind in the environment, not only because of its way of life but also of mass tourism.

Seeking to represent this impact of human beings on this nature and its environment in general (nature and the urban) with which he maintains an ambiguous relationship, he will add another medium - painting - to his photography.

Contrasting singularly with the photograph which represents a reality, the painted motif inserted therein therefore aims to question this ambiguous relationship.

Continuing the process to the end with the frame which represents artificiality, the motif itself is overflowing with it because now it is indeed Man who is the cause of everything, and no longer simply "the measure of everything" (Protagoras).

Reviews from our customers

All our reviews are extracted from Verified Reviews

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