A life without people who understand - I can’t realize I’m asleep, 2018
Painting : paper, Pigments · 70 x 70 x 4 cm 27.6 x 27.6 x 1.6 inch
$11,807
11 807 $US
Delivered in time for Christmas
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Shipped from: Spain
Delivery to: United States , $ 407
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
70 x 70 x 4 cm 27.6 x 27.6 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020
Discount
This seller offers discount when you purchase multiple artworks.
Description
On a technical and compositional level it is worth noting that Hiroomi Ito imports from Japan a 100% of the materials he uses in his compositions. Using these components is not merely part of the technique or aesthetic, since they also intrinsically carry deep symbolic meaning, which becomes clear upon careful exploration of the artist's pieces. Besides, the Japanese culinary sphere is his main thematic axis. The artist proposes a reflection on current Japanese values based on one of the symbols that Japan uses to present itself to the West, its food. Representing typical Japanese dishes, Hiroomi Ito aims to expose the problems surrounding the cultural heritage of modernity, the depersonalisation of the individual mediated by the Durkheim concept of anomie, religion and Japanese social fetishisms.
Presentation
On a technical and compositional level with Hiroomi Ito's work, it is worth noting (except for water and glass frames) 100% of the materials used are imported from Japan, with the use of unusual elements in the production of his pieces, such as wheat starch or Japanese tea, being particularly relevant. Using these components is not merely part of the technique or aesthetic, since they also intrinsically carry deep symbolic meaning, which becomes clear upon careful exploration of the artist's pieces.
Finally, using the Japanese culinary sphere as the main thematic axis, the artist proposes a reflection on current Japanese values based on one of the symbols that Japan uses to present itself to the West, its food. Using typical Japanese dishes, the artist aims to expose the problems surrounding the cultural heritage of modernity, among other issues, the depersonalisation of the individual mediated by the Durkheim concept of anomie, religion and Japanese social fetishisms.
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