After the Rain, 2021
Oksana Ivanyuk

Painting : oil

55 x 65 x 2 cm 21.7 x 25.6 x 0.8 inch

€360 360 €
Secure delivery : France   + €47
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About the artwork

Type

Unique artwork

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

55 x 65 x 2 cm 21.7 x 25.6 x 0.8 inch Height x Width x Depth

Framing

Not framed


Tags

Landscape

Summer

Impasto

Street

Village

Yellow

Dark blue

Artwork sold in perfect condition

Artwork location: Ukraine

Kalen 1586

The oil painting on Canvas titled "After the Rain" captures a fleeting yet vivid moment of tranquility and renewal in a rural village scene. The composition, suffused with warm golden light and shadowy undertones, reflects the artist's emotional response to nature's gentle pause following a downpour. With bold impasto strokes and a symphony of contrasting hues, the work invites the viewer to step into a world that feels both familiar and dreamlike. In the foreground, a dark, glistening body of water dominates — the rain-swollen pond or puddle now a reflective mirror of the sky and village surroundings. Shades of deep navy, indigo, and purples are enriched with highlights of copper and umber, hinting at leaves, earth, and submerged textures beneath the surface. Dabs of lighter tones — pale blue, white, and hints of lilac — mimic the ripples left behind by a flock of white ducks, joyfully paddling across the water. Their movement adds a touch of life and rhythm, suggesting how quickly nature resumes its calm routines after the storm. The ducks become a focal point of dynamic energy and innocence, their white feathers catching the light in stark contrast to the brooding water. They glide together toward the muddy bank, stirring up splashes and reflections that shimmer like broken glass. The artist's brushwork around them is especially expressive — thick strokes and spontaneous gestures convey the vitality of the moment, as if the viewer could hear the gentle splashing and distant quacking. Beyond the pond, the landscape rises gently toward a wooden fence and the low-slung, weathered buildings of a village. The houses, rendered in rustic shades of terracotta, ochre, and moss green, nestle together under a violet sky. Their sloping red and green roofs catch the afternoon light, and despite the simplicity of form, the artist infuses each structure with character — some with crumbling chimneys, others partially obscured by foliage. The fence running horizontally across the canvas acts as a visual bridge, separating the drenched, glistening earth below from the warmth of domestic life above. A solitary wooden pole on the right side — likely for power or a drying line — stands tall against the saturated land, slightly leaning as if weighed down by the earlier rain. It introduces a vertical element that gently counterbalances the strong horizontal divisions in the work, adding a rustic, human touch to the natural serenity.

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About the seller

Ukrainian Vintage Co • United States

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Oksana Ivanyuk, After the Rain
Ukraine  • 1964

Presentation

Oksana Antonivna Ivanyuk is an outstanding artist from Poltava, Ukraine, born on November 9, 1964, in the village of Zorya, Rivne region. Her talent and love for art manifested from a young age, and she decided to dedicate her life to creating marvelous paintings.

Oksana Antonivna obtained a higher education at the N. Samokish Crimean Art School, where she was mentored by eminent artists H. Kurylenko and V. Hryhoriyev. After completing her studies, she actively developed her talents in the field of painting, focusing on realistic-style landscapes and still lifes.

From 1989 to 2008, Oksana worked as an art teacher at the Pyriatyn School-Gymnasium of Aesthetic Education in Poltava Oblast, where she imparted her knowledge to her students and instilled in them a love for art.

As an active member of the National Union of Artists of Ukraine since 2010, Oksana participated in various exhibitions, both at the national and international levels, earning recognition for her talent and mastery.

Oksana Ivanyuk held solo exhibitions in Kyiv, Lubny (Poltava Oblast), Pryluky (Chernihiv Oblast), and Poltava, where she showcased her profound and emotional works. Among them are "The Last Snow. March" (2002), "Flood" (2005), "Silence" (2006), "The Last Ray," "Christmas Cathedral" (2008), "Autumn," "Kalyna on the Table" (2010). Her artworks can also be found in the National Art Museum and the Museum of Cultural Heritage in Kyiv.

Residing and working in Poltava, Oksana Ivanyuk embodied her artistic ideas in striking canvases that convey her inner awakenings, feelings, and emotions. Her art always captivates and leaves a sense of profound harmony with nature and the surrounding world.

After graduating from the N. Samokish Crimean Art School, the elder generation of Ivanyuks, Oleksiy and Oksana, founded their own art school in Pyriatyn, a small town in Poltava Oblast, which they supported financially for over a decade. Growing up under the influence of classical art, the couple favored working from nature, depicting classical still life and monumental canvases, with the secret of their compositional and dramatic strength lying in the use of naturism as their core philosophical concept.

In Oleksiy Ivanyuk's Poltava landscapes, there is a greatness in simplicity, a view of ordinary suburban landscapes as wonders that are no longer accessible to the average resident of a metropolis. Fauvist colors and impasto techniques are applied by the master to enhance expressiveness, while thick brushstrokes emphasize the form and relief of the depicted objects. Familiar places, houses immersed in green gardens, boundless steppes, fields, forest glades, and streets become lyrical abstractions and reach the level of aesthetic reflection, reflecting the author's sensory perception of the world.

In Oksana Ivanyuk's vibrant floral still lifes, baroque polyphony is embodied, which is why seemingly secondary elements become the main elements of the composition. Her lush bouquets are universal floral images of binary culture, with a variety of meanings that correspond to the main higher needs of existence. For Oksana Ivanyuk, reproducing flowers is always a display of personal experiences, a demonstration of her own attitude towards life situations, and the image itself becomes a symbol of beauty and harmony.

Both artists, Oleksiy and Oksana, have a unique approach to their craft, infusing their works with emotions, insights, and reflections on the world around them. Their dedication to preserving and promoting art is evident through their art school, where they pass on their knowledge and passion to the next generation of aspiring artists. Their creative endeavors continue to leave a lasting impact on the art world, inspiring viewers and fellow artists alike with their powerful and evocative works.

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Still Life

Mid-century inspiration

Painters

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