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Quitter Odessa J'ai su que je devais arrêter la méthamphétamine, le jour où un pigeon king size m'a dit : hé gros t'as pas 100 balles pour me payer un Big Mac ?, 2018

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$USD 486

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The artwork is available for pickup from the gallery in Paris, France


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About the seller
AKIZA - la galerie

PARIS, France

Artsper seller since 2015
168 orders finalized
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Quitter Odessa, J'ai su que je devais arrêter la méthamphétamine, le jour où un pigeon king size m'a dit : hé gros t'as pas 100 balles pour me payer un Big Mac ?
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Informations about this artwork
  • Medium

    Painting : acrylic

  • Dimensions cm | inch

    11.8 x 11.8 x 0.8 inch

  • Support

    Painting on wood

  • Framing

    Black wood floater frame

  • Artwork dimensions including frame

    14.4 x 14.4 x 0.8 inch

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • About the artwork

    Artwork sold in perfect condition

    Pigeon.
    Taping technique, next to the stencil.
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Delivery
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Quitter Odessa

France Born in: 1970

Self-taught artist born in Paris before the falling of Saigon.

He spent his teenage years in Seine Saint Denis ( French Bronx ) discovering the joys of Krylon spray cans, dead cats in the wasteland, Haros bikes and Vision Street Wear skateboards. Practicing Paris underground, the puces of Saint Ouen and the 8 bits video games, he remains the undisputed champion of Minestorm on Vectrex.

He borrows all sci fi books at the local library, classics and alternatives comics, Punk music, Funk, Hip Hop, Bossa Nova and Soul Music. After, he's dating girls with Serge Gainsbourg vinyls.

At 10 years old, by mistake, he watch Down of the dead, on laser disc and create, with his brother, an independant low budget production film compagny with 8 mm daddy camera.

Fire up of the catholic private colleges, he joins the working class in the 90's, discovering street art with Ernest Pignon Ernest and stencil art with Miss Tic, Bleck le rat etc. He practices screen print with fakes Chanel logos and finally he become artist.

He joins the Fatidik collective based in Bruxelles, developing a colored and ludic work related with Figuration Libre, Pop art and Lowbrow...

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Quitter Odessa, J'ai su que je devais arrêter la méthamphétamine, le jour où un pigeon king size m'a dit : hé gros t'as pas 100 balles pour me payer un Big Mac ?
Quitter Odessa, J'ai su que je devais arrêter la méthamphétamine, le jour où un pigeon king size m'a dit : hé gros t'as pas 100 balles pour me payer un Big Mac ? Quitter Odessa, J'ai su que je devais arrêter la méthamphétamine, le jour où un pigeon king size m'a dit : hé gros t'as pas 100 balles pour me payer un Big Mac ? Quitter Odessa, J'ai su que je devais arrêter la méthamphétamine, le jour où un pigeon king size m'a dit : hé gros t'as pas 100 balles pour me payer un Big Mac ? Quitter Odessa, J'ai su que je devais arrêter la méthamphétamine, le jour où un pigeon king size m'a dit : hé gros t'as pas 100 balles pour me payer un Big Mac ? Quitter Odessa, J'ai su que je devais arrêter la méthamphétamine, le jour où un pigeon king size m'a dit : hé gros t'as pas 100 balles pour me payer un Big Mac ?