Support, 2026
Dibujo : Acuarela, tinta, papel · 40 x 30 x 0.1 cm 15.7 x 11.8 x 0 inch
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Opiniones verificadas : 9.6/10
Acerca de la obra
Tipo
Dibujo : Obra de arte única
Estado
Obra vendida en perfecto estado, sin enmarcar
Autenticación
Vendido con el certificado de autenticidad de la galería
Factura de la galería
Firma
No Firmado
Dimensiones ( cm • inch )
40 x 30 x 0.1 cm 15.7 x 11.8 x 0 inch Altura x Anchura x Profundidad
Vendida por
Galería de arte
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Vendedor certificado desde 2024 • Top Seller
Descripción
Dos rostros emergen de una atmósfera fluida de gris y ocre. La composición equilibra líneas frágiles con pinceladas audaces de tinta. Una intimidad silenciosa une a las dos figuras. Los ojos cerrados sugieren un estado de profunda reflexión. El trazo se mueve con una energía rítmica y espontánea. Suaves transiciones de color crean una sensación de luz etérea. Cada trazo captura un estado emocional fugaz. El artista emplea una paleta limitada para realzar el estado de serenidad. Los contornos de carbón definen las siluetas con precisión y gracia. La luz llena los espacios negativos del papel. Esta obra explora la dualidad de presencia y ausencia. Las figuras parecen flotar en un sueño compartido. La mezcla del pigmento sugiere una disolución de los límites físicos. Un cambio repentino en el tono añade profundidad al fondo. La armonía de la pieza reside en su contención. Un toque final de marrón dorado asienta las siluetas etéreas.
Presentación
Born in 1962 in Tunisia, Zied Lasram grew up in the sacred village of Sidi Bou Saïd, among saints, poets, and cats—completely indifferent to the hordes of tourists to whom he sold his watercolors. It was there that he opened his first studio—“a lair of encounters," as his friend Mahmoud Chalbi describes it, “where passing princesses, poet-artists, village eccentrics, bourgeois souls in search of belonging, and enlightened spirits from all horizons would mingle."
In 1991, he obtained a Master's degree in Art Sciences and Techniques, with a specialization in Graphic Design, at the Institut Technologique d'Art d'Architecture et d'Urbanisme de Tunis.
But this dreamer has ants in his brush. He multiplies his stops, moving from studio to studio—from La Soukra to La Marsa, then to Gammarth—until he finally arrives in Djerba, where, as he well knows, the air is so gentle it keeps one from dying. More importantly, it is where he finds the peace and serenity he had always lacked.
It was in some obscure ornithology manual that he discovered the bird Calliste: a bird that resembles him—joyful, delightfully colorful, with a shimmering beauty that enchants and a song that is pure poetry.
That is Zied Lasram: a free spirit who knows no boundaries of time or space, an artist from a bohemia that no longer exists—not even in the art world. A talented visual artist, he seeks, discovers, changes course, and returns to a path he never consciously chose, but which is unmistakably his own.
There, on that blissful island—an indistinct universe open to the wide winds, on the edge of the real and the imaginary—Zied Lasram creates a world where flower-women speak with whistling birds, in an enchanted Eden. As dreamlike as his inspiration may be, Zied Lasram nevertheless maintains a mastery of line, technical ease, fluid movement, and a delicacy of color. Calliste, his companion, is a bird that suits him perfectly.
He has been collaborating with the Tobian Art Gallery since 2025. He has exhibited in France, Switzerland, Italy, and Tunisia, and has participated in the Art Fair in Basel. His work is part of private collections around the world.
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