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Luuk de Haan, big nothing 65, Photography on Fine art paper
Luuk de Haan, big nothing 65, Photography on Fine art paper
Luuk de Haan, big nothing 65, Photography on Fine art paper
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Luuk de Haan, big nothing 65, Photography on Fine art paper
Luuk de Haan, big nothing 65, Photography on Fine art paper
Luuk de Haan, big nothing 65, Photography on Fine art paper
Luuk de Haan, big nothing 65, Photography on Fine art paper
Luuk de Haan, big nothing 65, Photography on Fine art paper
Luuk de Haan, big nothing 65, Photography on Fine art paper

big nothing 65, 2021
Luuk de Haan  

Photography : fine art print · 100.1 x 82.3 x 0.3 cm 39.4 x 32.4 x 0.1 inch

€4,006 4 006 €

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Shipped from: Australia

Delivery to: France , € 230

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
9.6/10
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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Technique & Support

fine art print on Fine art paper

Dimensions ( cm • inch )

100.1 x 82.3 x 0.3 cm 39.4 x 32.4 x 0.1 inch Height x Width x Depth

Sold by

Art gallery

LIGHTWORKS • Australia

Credentials

Vetted seller since 2022

Discount

This seller offers discount when you purchase multiple artworks.

Description

Hand-signed recto. The issue of what, if anything, is represented in an image is alluded to in the title of De Haan’s series big nothing (2013-16), implying that we might be looking into the void. How can a photograph of nothing exist? Literally, of course, it can’t. Even in big nothing, we see visual phenomena recorded photographically and perceived optically, even though what we see might not seem to relate to the ‘real’ world around us. Another aspect of abstraction comes into play here, the relationship between form and formlessness. De Haan’s big nothing series explores the boundaries of form and our capacity to perceive its existence against a background of formlessness. The amorphous shapes in these images exist at the threshold of emergence and disappearance. In terms of the digital construction of the images, intriguingly, the shape contains fewer data than the surrounding space.

Abstract

Geometric

Circle
Luuk de Haan, big nothing 65
Luuk de Haan

Luuk de Haan

Netherlands  • 1964

Presentation

Luuk de Haan was born in Vlaardingen, South Holland, Netherlands. He is a visual artist and sound designer. His visual art relies on the mediums of photography, drawing and digital tools to create organic, geometric abstract compositions. He lives and works in Bergen, North Holland, Netherlands.

EDUCATION

De Haan studied at the HKU University of the Arts Utrecht (Hoge School voor de Kunsten HKU), in Utrecht, Netherlands.

TECHNIQUE

The photographs Luuk de Haan makes are derived from a unique method that combines contemporary technology like digital graphics software with historic photographic techniques. The process begins when De Haan uses digital software to create a geometric composition. He then photographs that composition directly from the screen. By adjusting the physical conditions under which the photograph is taken, such as by lowering the light or moving the camera, De Haan allows the analogue photographic process to interact with the digital image in ways that are often unpredictable, introducing an element of surprise to the final result. Sometimes De Haan will perform dance-like gestures while exposing the photograph, giving an active gestural quality to the image. The resulting images can simultaneously be read as naturally expressive and organic as well as graphic explorations of shape, color, geometry and line.

INSPIRATIONS

De Haan is inspired by a minimalist aesthetic, which leads to compositions defined by confident, geometric shapes, clear lines, smooth surfaces, and a pared down visual vocabulary. And he is also inspired by music and a sense of poetic openness. His work inhabits a space of depth, where things are not always as simple as they appear. His compositions appear to be in flux, as though not fully determined. He has likened this mix of concrete and abstract influences to architecture: defined as much by solid forms as by the space and silence within. Artists who have influenced his work include Ellsworth Kelly and Barnett Newman, along with musicians like Morton Feldman, Steve Reich and Brian Eno.

Luuk de Haan has exhibited extensively in a variety of galleries and museums throughout the Netherlands and Germany, as well as at international fairs like Art New York, EXPO Chicago and Art Miami.

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