Sans titre, 2025
Sylvia Katuszewski  

Sculpture : ceramic · 33 x 11 x 13 cm 13 x 4.3 x 5.1 inch

€2,400 2 400 €

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Shipped from: France

Delivery to: France , € 36

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

ceramic

Dimensions ( cminch )

33 x 11 x 13 cm 13 x 4.3 x 5.1 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2018

Description

This ceramic artwork presents a captivating fusion of rough textures and vibrant colors. The tree-trunk-like structure rises vertically, displaying a palette of earthy hues interwoven with bursts of red and orange. Three human figures, with ambiguous expressions, appear to emerge from the surface, encouraged by designs that combine raw and precise lines. The work evokes a connection between humanity and nature, underscored by the textured grounding and organic forms. The highly expressive faces seem to tell silent stories, piquing the viewer's curiosity about the hidden narratives. The way the ceramic catches the light accentuates the details, offering a dynamic and engaging visual experience. This piece illustrates a profound understanding of materials, playing on the contrasts between strength and fragility, captivating the eye with its complexity and artistic boldness.

Portrait

Composition

Beige

Black

France  • 1946

Presentation

Born on 18th October, 1946 in Paris, Cité des Fleurs, Sylvia Katuszewski lives and works in Paris.

Sylvia Katuszewski is a creator who has a mentoring network of poets (she especially corresponded with Rene Char). She created a horde of totemic icons, suffering women or bruised goddesses, damaged saints, poetic but deadly and in a lot of pain.

Wounded and wonderful women, standing, women-children, women-mothers, portrayed in milky whiteness, tender and sweet, sometimes scarred due to pain and this can be seen through their look, which trickles in black, scarified flesh, totemic touching women. A painful and beautiful effigy, tenderly created, however incomplete.

A paradox art and definitely a shock. Sylvia Katuszewski's fire retardant women-children are lifelike! Loved Icons, in a prayer repository and worshiped by men, nonetheless the sculptures of Sylvia Katuszewski embody the suffering of women, mothers children who are lost or abandoned, or have undergone aborted pregnancies. A differing art where the flexible treatment manages to suggest the harshness of words.

Katuszewski 's exhibition of works is an invitation of dialogue between oil pastels on paper and sculptures in glazed earthenware. The sculpture might look like an ellipse and restrained art, the drawing on the other hand explodes with bright, flamboyant colors and takes up the whole sheet. Therefore, the exhibition is created in two ways. Two sides of the same artist: exuberant and liberated on paper, but concentrated and forbidden with her sculptures.




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