Bronze Sculpture for Sale
Les oiseaux, 1983
Painting : gouache, Textiles · 50 x 70 x 3 cm 19.7 x 27.6 x 1.2 inch · Ready to hang
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Shipping & delivery
Shipped from: France
Delivery to: France Free delivery
Estimated delivery: One to two weeks
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
gouache, Textiles on paper
Dimensions ( cm • inch )
50 x 70 x 3 cm 19.7 x 27.6 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
50 x 70 x 3 cm 19.7 x 27.6 x 1.2 inch
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2016
Description
Indian Tribal Painting (Bhil tribe) ; Aboriginal Art ; Vernacular Art.
Presentation
Ladoo Baï was born in the 1950s in Jhabua District, Madhya Pradesh, in Central India. Like Jangarh Singh Shyam, she was discovered by Jagdish Swaminathan during his travels searching for artists in the tribal areas of Madhya Pradesh. Her paintings cel- ebrate the flora and fauna in a mêlée of brightly colored motifs, each a manifestation of primal energy.
The human beings in her works appear entranced as they participate in the cosmic dance. The figures on the canvas are like the characters in an opera, or reciting an ode to nature. Anthropomorphism turns man into an animal and animals into plants. The impression given by the pictorial orchestration is one of plenitude, the power of regeneration.
“Ladoo Baï revels in a dynamic asymmetry between details that are refined to completion, and details deliberately left brushy and unfinished,” wrote Ranjit Hoskote in Now that the Trees Have Spoken (Pundole Art Gallery, Mumbai, 2009).
Many of her works are based on the theme of the dance: that of the deer and antelopes, that of goddesses, trees and herons, and of serpents, hunters, turtles, and horsemen. Some of the forms she uses are reminiscent of the late Stone Age. Similar silhouettes can be seen, for example, in Bhimbetka caves in Central India. Their persistence in the work of Ladoo Baï is derived as much from a genealogical continuity attributed to ritual imagery as it is from her perception of the relationship between man and nature.
The human beings in her works appear entranced as they participate in the cosmic dance. The figures on the canvas are like the characters in an opera, or reciting an ode to nature. Anthropomorphism turns man into an animal and animals into plants. The impression given by the pictorial orchestration is one of plenitude, the power of regeneration.
“Ladoo Baï revels in a dynamic asymmetry between details that are refined to completion, and details deliberately left brushy and unfinished,” wrote Ranjit Hoskote in Now that the Trees Have Spoken (Pundole Art Gallery, Mumbai, 2009).
Many of her works are based on the theme of the dance: that of the deer and antelopes, that of goddesses, trees and herons, and of serpents, hunters, turtles, and horsemen. Some of the forms she uses are reminiscent of the late Stone Age. Similar silhouettes can be seen, for example, in Bhimbetka caves in Central India. Their persistence in the work of Ladoo Baï is derived as much from a genealogical continuity attributed to ritual imagery as it is from her perception of the relationship between man and nature.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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