The 1920s and 1930s marked a period of emancipation for women and the affirmation of their masculine side with the flappers, and at the same time, fully assuming their side of "seducing women". The artist finds there a parallel with the position of contemporary women and this is what touches and interests Aline Oudeau Chiofolo. The artist likes anything that shakes up norms and conventions and allows everyone to assert themselves as independent beings.