Artistic approach of the artist:
The subject of painting research is a long-term subject of painting experiences summarized and determined at the creative stage of undergraduate graduation, because in the few years of college I tried too many forms of expression, and the reason for that is of course too many forms So much so that I have finally discovered that even if I spend a lifetime practicing and learning, it will only be a process of imitation and mastery, so the four years of college are a relatively painful process for me.
Of course, every step of learning is for me. The determination of pictorial language is also the result of “because” and “therefore”. The constant synthesis and reflection at each stage will naturally draw some clues to one's own creation, i.e., "painting is a process of continuous addition and subtraction." So much so that my three years higher education happened in this state... Many people will wonder what the "search for painting" is.
In fact, the painting concept contains too much information. We can say that the whole history of the art of painting can be discussed around this concept. I am limited to a certain expressive language, so I borrowed a word "painting" commonly used by many professors at the academy to define the name of my series of works, because one thing I can be sure of, c is that my creation must evolve in stages. The work in progress is also the result of the continuous practice of brush strokes. If it is detailed, it will take a long time to talk about it. In short, he is currently doing "subtraction". The most important thing in the nature of research in painting is not the formal meaning of painting, nor the result, but the process.
This process can also be seen as a kind of intuition, a momentary feeling, which is reflected in the painting process. . , and it is constantly optimized deliberately, the interpretation of the painting itself is certainly not a result...
Read more
