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Even if his sources of inspiration remain deeply rooted in his culture, the assemblage of materials he organizes around his woods testifies to a real modernity. Cleves, inner tubes, nails and other tin cans come to convey all the contrasts of an Africa constantly oscillating between tradition and modernity. An anxious figure, Abou attacks the wood with a real energy demonstrating by this all his determination to want to impose itself in an art that his continent has been able to impose on all for a long time.
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