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Gao Xingjian's graphic work is strongly influenced by his childhood memories. The depicted landscapes take turns between shady and partially lit areas. Faced with threatening darkness in China, in opposition to the clarity of hope.
He initially began with oil painting and carried this on until 1978, he then opted for Indian ink, giving up on colors and adopting black, with a palette offering several shades. Gao Xingjian uses traditional Chinese mediums such as rice paper or goat hairbrush, and combines these with Western techniques.
Gao Xingjian has been honored as knight in Arts and Literature since 1992. In 2000, he won the noble prize in literature.
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