Magda Igyarto

I open myself to the perception of the intangible through the approach of the elements: water, air, fire, the earth element with its geometric abstractions and pure pigment powders, but also, more recently , the theme of the drifts of our world, that of waves, that of the traces that we leave behind or that of unusual landscapes. 

A sort of entirely internal analysis of appearances where the painting gradually deconstructs, where the substance of the elements remains palpable without losing anything of their reality, or rather, of maximum appearances of this reality felt through a language where everything is possible, from the most sober to the bushiest, from the most limpid to the most loaded, to achieve the desired goal, namely the transmission, in total efficiency, of my feelings. I work spontaneously, working most often (except when I approach the element of earth with pure pigment powders, sawdust, sand and symbolic structures) "alla prima" directly on the canvas without going through the drawing, but my paintings are nonetheless meditated, because it is the inner vision that determines the execution of the work.