Magali Berdaguer

So I weave ...

I play with the lightness of the wire and access the wall and spatial drawing.

In this practice, I enter into a body to body with the material, in search of the curve, the movement, the point of support whose accuracy will give the sensation of "living" to these figures of wire. .

The thread is a line, a link, a movement, a temporality.

Through the gesture of weaving, the wire slowly evolves towards the design, the shape, the envelope and also becomes the structure of the piece.

By gradually unrolling this line of material, I intertwine it to make skin, texture, body whose posture I sense but ignores the final demarcation offered to the unfinished.

For each piece, I try to make feel the perception of movement, of the living, of the organic; to discern the imperceptible, to perceive what is woven between ...