Spain
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1970
The practice occupies a hybrid between painting, writing, and object, where each work is configured as a field of interaction between the physical, the emotional, and the symbolic.
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When my mother’s sewing machine fell into my hands, I wanted to learn how to use it as a tribute, a gesture to recompose and mitigate her absence. The thread has become a path of growth and personal exploration, encouraging me to investigate, learn, and grow.
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