Study of Perspective, The White House, 2017
Design : wood, digital print · 80 x 60 x 3 cm 31.5 x 23.6 x 1.2 inch
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Shipped from: France
Delivery to: Germany , € 96
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About the artwork
Type
Design : numbered and limited to 666 copies
1 copy available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Plate signed
Technique & Support
Dimensions ( cm • inch )
80 x 60 x 3 cm 31.5 x 23.6 x 1.2 inch Height x Width x Depth
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Art gallery
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Description
“Study of Perspective – White House" Ai Weiwei is a wall triptych composed of skateboard decks, inspired by the famous “Study of Perspective" series by Ai Weiwei. The work stages the artist's provocative gesture towards the White House, thus transforming a political photograph into a collection wall art piece composed of three decks, made by The Skateroom on Canadian maple wood of category A to 7 ply.
Limited edition of 666 copies
The work chosen for this triptych was initially in the “Study of Perspective" series by Ai Weiwei. The artist openly denounces institutions, monuments, and iconic sites around the world by giving them the middle finger, thus inviting the viewer to question their acceptance of authority. Ultimately, the artist affirms their support for freedom of expression and seeks to emancipate the people through democratic values. In this particular photograph, they target the White House and reveal their deep feeling about the current political climate in the United States.
This bold composition appropriates an everyday object to carry a sharp political message.
The choice of support, three skate decks, anchors the approach in urban and contemporary culture.
The black and white image plays with a striking contrast between the foreground and the background.
A provocative gesture partially obscures the White House, a global symbol of American executive power.
This staging questions the notion of perspective and the confrontation between the individual and the institution.
The aesthetic borrows from the codes of Pop Art to transform a decorative object into a tool for social critique.
The artist uses irony here to highlight the tensions between freedom of expression and state authority.
The repetition of the motif on the wood creates a visual rhythm that reinforces the impact of the message.
Digital printing ensures rigorous photographic precision.
This work dated 2017 is part of a constant commitment against structures of domination.
The whole presents itself as a visual manifesto where design serves political activism.
Presentation
Born in 1957 in Beijing, Ai Weiwei is a multidisciplinary artist who is a sculptor, blogger, architect, and curator. He studied film at the Beijing Film Academy and then at Parsons The New School for Design in New York. The artist lives and works in Beijing but has lived in the United States for several years. In the early 1980s, he moved to New York to photograph scenes of daily life , capturing the habits and lifestyles of its inhabitants. He returned to Beijing to continue this practice in 1993. Through his work, he succeeds in painting a portrait of a country and its population by reflecting daily life as well as the morals and customs of societies. Weiwei is a major artist on the contemporary art scene. His work is vast, nonconformist, provocative, and has earned him reprisals. Arrested by the Chinese government in 2011 for tax evasion, it was more for his activism and his criticism of Chinese society. He has contributed significantly to the evolution of his country's social reality; his art is a testament to his perception of the world and its challenges. He uses social media to disseminate his positions, via Twitter or his blog, by publishing photos and texts, and thus manages to reach a broad population with his numerous followers.
A politically engaged artist, he joined the avant-garde artists' collective "The Stars" in 1979 and thus promoted liberal values centered on freedom of expression and man as an individual in his own right, thus opposing the Socialist Realism promoted by the State. He draws his inspiration from artists such as Duchamp or Warhol , artists who have shaken up their time and are recognized for their criticism of society, just like Weiwei.
He created numerous sculptures using traditional Chinese cultural objects, such as porcelain vases and Qing Dynasty furniture, to depict a dual society, divided between individualism and collectivism. He participated in the construction of China's national stadium, named the "Bird's Nest," for the 2008 Olympic Games.
Ai Weiwei's works have been exhibited in the United States at the San Francisco Museum of Modern Art, among others, in the United Kingdom, Belgium, Italy, Germany, France, Spain, the Czech Republic, Switzerland, Australia, China, Korea, and in Japan at the Hara Museum of Contemporary Art in Tokyo.
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