Guardian (Green), 2026
Print : Screen Print · 60 x 60 x 2 cm 23.6 x 23.6 x 0.8 inch
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Shipped from: Spain
Delivery to: United States , $ 88
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 279 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
60 x 60 x 2 cm 23.6 x 23.6 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
Medium: 2 colour silkscreen with metallic glitter base layer on Somerset paper.
Edition: 279
Brand new, never framed or display
Positioned at the intersection of institutional critique, human rights advocacy, and conceptual rigor, exemplifies Ai Weiwei's unique ability to transform fine art into a vehicle for political commentary. Rather than viewing printmaking as a secondary medium, the dissident artist leverages limited editions to democratize radical ideas, circumventing political censorship through visual dissemination. In this work, the ancient archetype of the Chinese Door God (Men Shen) is recontextualized as a sharp critique of totalizing state control, placing the artist's own image at the threshold between state authority and individual freedom.
The composition fuses classical mythological imagery with an expansive network of sociopolitical symbols from Ai Weiwei's practice. Alongside traditional dragons and studio cats, the print incorporates sunflower seeds, referencing mass identity under totalitarianism, and refugee life jackets from his interventions on global migration. Uniquely integrated into this edition are buttons, a central motif tied to his major exhibition at Factory International in Manchester, symbolizing memory, industrial labor, and human connection.
Masterfully executed, this two-color screen print is built upon a shimmering metallic glitter base layer, striking an intriguing balance between rich surface ornamentation and ideological defiance. Printed on heavy 410gsm Somerset Tub Sized Radiant White paper, the work measures 60 x 60 cm and comes hand-signed and numbered from a limited edition of 279.
Presentation
Born in 1957 in Beijing, Ai Weiwei is a multidisciplinary artist who is a sculptor, blogger, architect, and curator. He studied film at the Beijing Film Academy and then at Parsons The New School for Design in New York. The artist lives and works in Beijing but has lived in the United States for several years. In the early 1980s, he moved to New York to photograph scenes of daily life , capturing the habits and lifestyles of its inhabitants. He returned to Beijing to continue this practice in 1993. Through his work, he succeeds in painting a portrait of a country and its population by reflecting daily life as well as the morals and customs of societies. Weiwei is a major artist on the contemporary art scene. His work is vast, nonconformist, provocative, and has earned him reprisals. Arrested by the Chinese government in 2011 for tax evasion, it was more for his activism and his criticism of Chinese society. He has contributed significantly to the evolution of his country's social reality; his art is a testament to his perception of the world and its challenges. He uses social media to disseminate his positions, via Twitter or his blog, by publishing photos and texts, and thus manages to reach a broad population with his numerous followers.
A politically engaged artist, he joined the avant-garde artists' collective "The Stars" in 1979 and thus promoted liberal values centered on freedom of expression and man as an individual in his own right, thus opposing the Socialist Realism promoted by the State. He draws his inspiration from artists such as Duchamp or Warhol , artists who have shaken up their time and are recognized for their criticism of society, just like Weiwei.
He created numerous sculptures using traditional Chinese cultural objects, such as porcelain vases and Qing Dynasty furniture, to depict a dual society, divided between individualism and collectivism. He participated in the construction of China's national stadium, named the "Bird's Nest," for the 2008 Olympic Games.
Ai Weiwei's works have been exhibited in the United States at the San Francisco Museum of Modern Art, among others, in the United Kingdom, Belgium, Italy, Germany, France, Spain, the Czech Republic, Switzerland, Australia, China, Korea, and in Japan at the Hara Museum of Contemporary Art in Tokyo.
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