Guardian (Purple), 2026
Print : Screen Print · 60 x 60 x 2 cm 23.6 x 23.6 x 0.8 inch
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Shipped from: Spain
Delivery to: Germany , € 45
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About the artwork
Type
Print : numbered and limited to 557 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
60 x 60 x 2 cm 23.6 x 23.6 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
Medium: 2 colour silkscreen with metallic glitter base layer on Somerset paper.
Edition: 279
Brand new, never framed or display
World-renowned artist Ai Weiwei draws on the traditional Chinese folk custom of the Door God (Men Shen), mythological figures historically posted on home entryways during the Lunar New Year to ward off evil spirits and protect the household. Reinterpreting this ancient talisman, the artist inserts his own image at the center to create a satirical divine self-portrait. Through this bold gesture, Ai Weiwei subverts a symbol of traditional obedience into an emblem of personal defense and political resistance, reflecting on his own ongoing struggle against state surveillance, censorship, and government crackdown.
Historically, Door Gods represented security imposed from above, reinforcing social hierarchy and obedience under the guise of protection. In , Ai Weiwei dismantles this dynamic. Having endured severe state repression, including a 2011 detention of 81 days in solitary confinement, the bulldozing of his studio, and constant surveillance, the artist directly addresses how authoritarian regimes weaponize the narrative of public safety to justify control and suppress dissent. By recasting himself as the guardian deity, he asserts that genuine protection stems not from state authority, but from the unyielding defense of individual expression and human rights.
Surrounding his central likeness is a rich visual tapestry that bridges classical mythology with the defining iconography of his career. Traditional dragons weave alongside deeply personal and political symbols, such as handcuffs reflecting state detention, sunflower seeds evoking mass identity, refugee life jackets highlighting global humanitarian crises, buttons, and his beloved studio cats. Executed as a two-color screen print over a shimmering metallic glitter base layer, the work achieves a dynamic tension between ornamental beauty and political defiance. Masterfully produced on heavy 410gsm Somerset Tub Sized Radiant White paper, the piece measures 60 x 60 cm and comes from a hand-signed, limited edition of 557.
Presentation
Born in 1957 in Beijing, Ai Weiwei is a multidisciplinary artist who is a sculptor, blogger, architect, and curator. He studied film at the Beijing Film Academy and then at Parsons The New School for Design in New York. The artist lives and works in Beijing but has lived in the United States for several years. In the early 1980s, he moved to New York to photograph scenes of daily life , capturing the habits and lifestyles of its inhabitants. He returned to Beijing to continue this practice in 1993. Through his work, he succeeds in painting a portrait of a country and its population by reflecting daily life as well as the morals and customs of societies. Weiwei is a major artist on the contemporary art scene. His work is vast, nonconformist, provocative, and has earned him reprisals. Arrested by the Chinese government in 2011 for tax evasion, it was more for his activism and his criticism of Chinese society. He has contributed significantly to the evolution of his country's social reality; his art is a testament to his perception of the world and its challenges. He uses social media to disseminate his positions, via Twitter or his blog, by publishing photos and texts, and thus manages to reach a broad population with his numerous followers.
A politically engaged artist, he joined the avant-garde artists' collective "The Stars" in 1979 and thus promoted liberal values centered on freedom of expression and man as an individual in his own right, thus opposing the Socialist Realism promoted by the State. He draws his inspiration from artists such as Duchamp or Warhol , artists who have shaken up their time and are recognized for their criticism of society, just like Weiwei.
He created numerous sculptures using traditional Chinese cultural objects, such as porcelain vases and Qing Dynasty furniture, to depict a dual society, divided between individualism and collectivism. He participated in the construction of China's national stadium, named the "Bird's Nest," for the 2008 Olympic Games.
Ai Weiwei's works have been exhibited in the United States at the San Francisco Museum of Modern Art, among others, in the United Kingdom, Belgium, Italy, Germany, France, Spain, the Czech Republic, Switzerland, Australia, China, Korea, and in Japan at the Hara Museum of Contemporary Art in Tokyo.
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