Homer's Head, 2021
David Sipko  

Fine Art Drawings : charcoal · 30.5 x 22.9 x 0.3 cm 12 x 9 x 0.1 inch · Ready to hang

€274 274 €
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Shipped from: United States

Delivery to: Germany , € 39

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30.5 x 22.9 x 0.3 cm 12 x 9 x 0.1 inch Height x Width x Depth

Artwork dimensions including frame

38.9 x 31.2 x 1.3 cm 15.3 x 12.3 x 0.5 inch

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Credentials

Vetted seller since 2022

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Description
In the late 1800's, Charles Bargue developed a drawing course in classical realism. His course has been used in learning and atelier environments since its introduction. I have used it to keep my drawing skills sharp and simply for the challenge. This 'plate' is of Homers Head. It is a charcoal pencil and white pastel pencil, the drawing is from my sketchbook and is 9X12 on toned gray Strathmore paper. It is framed and ready to hang.
David Sipko, Homer's Head

David Sipko

United States  • 1966

Presentation

Artist Statement:

About 20 years ago I was on the lovely island of Nantucket making my way around the town and doing some window shopping. I noticed a few art galleries and decided to stop by one to have a look-something that I had never done before in my life. I was thinking it might turn into a car buying experience so I hesitated at first. When I left, I began mapping out my plan to become an oil painter.

When I see a phenomenal painting in a museum or gallery, it's the tradition of painting that I respect the most. I want to be intertwined with the craft that has been handed down for centuries in my own little way.

Since the beginning of my artistic journey, my observation of the visual world had changed in an enormous way. I paint with my eyes if I don't have a brush. I constantly am searching for how light defines my visual world and how I would interpret it into the painted world. How light creates contrasts and shadows and how I would need to approach it to portray the subject as vividly and honestly as possible. When I study an object and then commit, it becomes a point of departure for me in the hope I can pay homage to its nature and delight viewers.

Education:

Carlin Academy of Fine Art, Kennett Square PA

Artistic Influences:

Edward Hopper, Frans Hals, Rembrandt, Carravaggio, Reubens

Tags:

realism, still life, nature, portrait, oil on canvas, contemporary art, contemporary realism, idealism, oil painting

Modernism

Painters

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