Double Standard 3. From The Series Double Standard, 2023
James Bonachea  

Fine Art Drawings : Watercolour · 37.8 x 25.9 x 0.3 cm 14.9 x 10.2 x 0.1 inch

€913 913 €
Shipping & delivery

Shipped from: Mexico

Delivery to: France , € 183

Estimated delivery: One to two weeks

Free returns within 14 days, full refund

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Sold with certificate of Authenticity from the artist

Invoice from the gallery Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Watercolour on cardboard

Dimensions ( cminch )

37.8 x 25.9 x 0.3 cm 14.9 x 10.2 x 0.1 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2019 • Top Seller

Description

This intriguing artwork features a surreal figure comprising a single body with three distinct faces. The figure's form is both human and abstract, with a feminine torso that seamlessly transitions into a network of roots. These roots, extending below, suggest a deep connection to the earth, symbolizing growth and interdependence. The faces appear contemplative, each gazing in different directions, suggesting a complex interplay of emotions or perspectives. The texture of the piece evokes a sense of antiquity, as if carved from stone, while the muted earth tones enhance its organic, timeless quality. This work boldly explores themes of identity, interconnectedness, and transformation, inviting viewers to reflect on the multifaceted nature of existence. Its unique blend of human form with natural elements makes it a striking piece that challenges perceptions and sparks imagination.

Aboriginal art

Religious

Cuba

Figuration

Mexico

Prehistoric

Totem

James Bonachea, Double Standard 3. From The Series Double Standard
Cuba  • 1977

Presentation

The work of James Bonachea (Cuba, 1977) has been characterized as a constant invitation to re-signify both the beliefs rooted in the cultural imagination, as easily as the objects of everyday use. This practice has led him to the intervention of public and private spaces involving both his own body, as well as organic materials and other elements in settings and surfaces, apparently contradictory, within the formal solutions of visual and pictorial discourses. From performance to drawing, his curiosity for rereading the remote past has directed him to establish dialogues between the historical vision and the current condition of reality, resulting in discursive forms that complement an anachronistic universe of resignifications.

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