Beyond The Frame | Body Positivity Abstract Woman Artwork, 2024
Yana Dmitrieva  

Fine Art Drawings : Watercolour, pencil, ink · 44 x 30.5 x 0.1 cm 17.3 x 12 x 0 inch

$400 400 $US
Shipping & delivery

Shipped from: Montenegro

Delivery to: United States , $ 73

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cm • inch )

44 x 30.5 x 0.1 cm 17.3 x 12 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

Beyond The Frame | Body Positivity Abstract Woman Artwork

A striking contemporary artwork that merges abstract line work with figurative representation, presenting a bold vision of the female form. The vibrant color palette contrasts with a calm, neutral background, emphasizing both presence and movement. The piece reflects themes of self-definition and freedom, offering a visual exploration of identity beyond traditional frameworks. Ideal for collectors of contemporary art, this artwork serves as a dynamic focal point in modern interiors.

Original artwork 
Materials: ink, сolored pencils, watercolor on paper

The artwork will be shipped rolled in a cardboard tube for safe transportation.

Portrait

Human body

Femininity

Women

Butterflies

Surrealism

Yellow

Sky blue

Yana Dmitrieva, Beyond The Frame | Body Positivity Abstract Woman Artwork
Montenegro  • 1981

Presentation

Yana Dmitrieva is a contemporary artist whose practice moves between figuration, abstraction, and surrealism to examine uncertainty, adaptation, and the preservation of self. Her paintings focus on moments when familiar structures begin to dissolve and identity becomes something fluid rather than fixed.

Figures in Dmitrieva's work are frequently faceless. By withholding individual expression, she shifts attention toward the body itself — its posture, tension, balance, hesitation, and instinctive response to circumstances beyond its control. Human forms stretch, merge with fish and other organisms, or inhabit spaces that seem simultaneously above and below water.

Migration forms an important conceptual undercurrent in her practice, but the work deliberately avoids literal autobiography. Displacement becomes a broader psychological condition that can arise through relocation, loss, motherhood, separation, reinvention, or any experience in which a familiar version of the self no longer feels sufficient.

Her distinctive palette of aquatic blues, luminous greens, violets, and unexpected chromatic transitions intensifies this sense of instability. Landscape becomes less a physical location than an extension of consciousness.

Dmitrieva's ongoing Displaced Bodies series considers the body as an archive of uncertainty. Rather than illustrating what has happened to a person, the paintings preserve the physical state of being caught between what was and what comes next — a vulnerable, unresolved territory in which transformation has begun but identity has not yet settled.

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