Sans titre, Circa 1990
Fine Art Drawings : pastel · 122 x 40 x 0.1 cm 48 x 15.7 x 0 inch · Ready to hang
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Verified Reviews : 9.6/10
About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
122 x 40 x 0.1 cm 48 x 15.7 x 0 inch Height x Width x Depth
Artwork dimensions including frame
125 x 45 x 3 cm 49.2 x 17.7 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2018
Description
This captivating work depicts a central figure nestled within an organic form reminiscent of a protective pod. Shades of aqua green, vibrant red, and golden yellow blend harmoniously, creating a vibrant aura around the figure. The figure, with its delicate, serene face, appears to emerge from a cocoon, potentially symbolizing rebirth or transformation. The textured details, achieved through skillful pencil strokes, add a tactile dimension to the whole. The soft green filaments flowing downward amplify a sense of fluid, continuous movement. The innovative use of color and juxtaposition of forms give this work an exceptional character, inviting the viewer to a profound introspection about nature and metamorphosis.
Presentation
Sylvia Katuszewski is a creator who has a mentoring network of poets (she especially corresponded with Rene Char). She created a horde of totemic icons, suffering women or bruised goddesses, damaged saints, poetic but deadly and in a lot of pain.
Wounded and wonderful women, standing, women-children, women-mothers, portrayed in milky whiteness, tender and sweet, sometimes scarred due to pain and this can be seen through their look, which trickles in black, scarified flesh, totemic touching women. A painful and beautiful effigy, tenderly created, however incomplete.
A paradox art and definitely a shock. Sylvia Katuszewski's fire retardant women-children are lifelike! Loved Icons, in a prayer repository and worshiped by men, nonetheless the sculptures of Sylvia Katuszewski embody the suffering of women, mothers children who are lost or abandoned, or have undergone aborted pregnancies. A differing art where the flexible treatment manages to suggest the harshness of words.
Katuszewski 's exhibition of works is an invitation of dialogue between oil pastels on paper and sculptures in glazed earthenware. The sculpture might look like an ellipse and restrained art, the drawing on the other hand explodes with bright, flamboyant colors and takes up the whole sheet. Therefore, the exhibition is created in two ways. Two sides of the same artist: exuberant and liberated on paper, but concentrated and forbidden with her sculptures.
Reviews from our customers
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