Bronze Sculpture for Sale
Infime nuit II, 2025
Fine Art Drawings : acrylic · 30 x 21 cm 11.8 x 8.3 inch · Ready to hang
€450
450 €
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 41
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30 x 21 cm 11.8 x 8.3 inch Height x Width x Depth
Artwork dimensions including frame
42 x 32 cm 16.5 x 12.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Born in 1995 in Ho Chi Minh City and a graduate of the Villa Arson, the artist grew up between Vietnam and France—two territories, two breaths of the world that have profoundly shaped her relationship to matter, landscape, and the sensitive rhythms of existence. From this dual anchoring emerges a painting that belongs to no fixed ground, but instead circulates, like water, between forms and memories.
Presentation
Born in 1995 in Ho Chi Minh City and a graduate of the Villa Arson, Juliette Kiều Mi Châu grew up between Vietnam and France—two territories that have deeply shaped her relationship to landscape, material, and the rhythms of the world.
She develops a pictorial practice in which microstructures, ecosystems, and inner landscapes are approached as sensitive environments.
Her work explores the world as a relational continuum, where forms, materials, and gestures generate one another. Situated between biomorphic abstraction and organic figuration, her painting is conceived as an inhabited milieu, crossed by flows, memories, and transformations.
The works do not seek to represent, but rather to offer a sensory experience: a breathing space where forms emerge through their interactions. Networks, membranes, filaments, branches, porous structures… Forms appear as processes: they arise from the gesture, move, transform, and recombine.
Through layers, glazes, and drawn lines, the artist develops cartographies in which the visible often allows imperceptible relations to surface—circulations of energy, matter, and memory.
Painting becomes a place of passage, a space of transition, where attention is given to both what appears and what circulates between forms.
Nourished by ecological, phenomenological, and feminist approaches to the body, her practice rejects any form of hierarchy.
The world is conceived as a continuous atmosphere, where each element exists through its relations with others.
The canvas thus becomes a space of observation and gestation: a place where a network takes shape, a landscape begins to unfold, a world emerges—always in a state of becoming.
A “milieu-painting," traversed by a dynamic field of relations, where the sensory reveals itself through metamorphosis and the pulsation of the connections that animate it
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