Mycelium under construction III, 2025
Juliette Kiều Mi Châu  

Fine Art Drawings : acrylic · 30 x 21 cm 11.8 x 8.3 inch · Ready to hang

$538 538 $US

One of the last works available by this artist

Shipping & delivery

Shipped from: France

Delivery to: United States , $ 81

Estimated delivery: Less than one week

Free returns within 14 days, full refund

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Sold with certificate of Authenticity from the artist

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

30 x 21 cm 11.8 x 8.3 inch Height x Width x Depth

Artwork dimensions including frame

42 x 32 cm 16.5 x 12.6 inch

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Credentials

Vetted seller since 2013 • Top Seller

Discount

This seller offers discount when you purchase multiple artworks.

Description

Born in 1995 in Ho Chi Minh City and a graduate of the Villa Arson, the artist grew up between Vietnam and France—two territories, two breaths of the world that have profoundly shaped her relationship to matter, landscape, and the sensitive rhythms of existence. From this dual anchoring emerges a painting that belongs to no fixed ground, but instead circulates, like water, between forms and memories.
Her painting is an inhabited milieu, traversed by flows and memory. Forms are not represented; they emerge, born from gesture, moving and transforming. The canvas becomes a site of passage—a space where a world is always in the process of emerging, always in the act of breathing.

Floral

Neo-impressionism

Nature

Purple

Juliette Kiều Mi Châu, Mycelium under construction III
France  • 1995

Presentation

Born in 1995 in Ho Chi Minh City and a graduate of the Villa Arson, Juliette Kiều Mi Châu grew up between Vietnam and France—two territories that have deeply shaped her relationship to landscape, material, and the rhythms of the world.

She develops a pictorial practice in which microstructures, ecosystems, and inner landscapes are approached as sensitive environments.

Her work explores the world as a relational continuum, where forms, materials, and gestures generate one another. Situated between biomorphic abstraction and organic figuration, her painting is conceived as an inhabited milieu, crossed by flows, memories, and transformations.

The works do not seek to represent, but rather to offer a sensory experience: a breathing space where forms emerge through their interactions. Networks, membranes, filaments, branches, porous structures… Forms appear as processes: they arise from the gesture, move, transform, and recombine.

Through layers, glazes, and drawn lines, the artist develops cartographies in which the visible often allows imperceptible relations to surface—circulations of energy, matter, and memory.

Painting becomes a place of passage, a space of transition, where attention is given to both what appears and what circulates between forms.

Nourished by ecological, phenomenological, and feminist approaches to the body, her practice rejects any form of hierarchy.

The world is conceived as a continuous atmosphere, where each element exists through its relations with others.

The canvas thus becomes a space of observation and gestation: a place where a network takes shape, a landscape begins to unfold, a world emerges—always in a state of becoming.

A “milieu-painting," traversed by a dynamic field of relations, where the sensory reveals itself through metamorphosis and the pulsation of the connections that animate it

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