Bronze Sculpture for Sale
Der Has von Dürer, aquagravure originale, 2008
Print : aquagravure, etching, tirage fine art, engraving · 43 x 60 x 0.3 cm 16.9 x 23.6 x 0.1 inch
€770
770 €
Shipping & delivery
Shipped from: France
Delivery to: France Free delivery
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from L'Estampe éditions à Strasbourg-France
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 50 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from L'Estampe éditions à Strasbourg-France
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
43 x 60 x 0.3 cm 16.9 x 23.6 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Description
This bold work presents a hybrid figure, part human, part animal, in intense black silhouette, brandishing an arrow. To the left, a bright red hare, with expressive features, seems animated by energy. The beige background, dotted with markings reminiscent of old engravings, enhances the painting's depth.
Original engraving on thick handmade paper in the style of a bas-relief, signed and numbered in pencil by RE Waydelich.
The gilded parts are enhanced with fine gold leaf.
Presentation
Born in Strasbourg-Neudorf on September 14, 1938, Waydelich is passionate about archeology and mythologies as much "primitive" as urban, he has shaped his own in these improbable animals, in these tasty scenes. Her work is made of tributes to her past and her dreams, but also of nods to the future. He represented France at the Venice Biennale in 1978. His work mainly concerns time and memory, in particular “memory of the future” and the traces of our civilization that will be discovered and interpreted by archaeologists of the future. This work focuses on the object, its anticipated transformation under the action of time or its preservation through the ages (recreated ceramic tires, a garden hut cast in bronze, objects sealed in a vault near the Strasbourg cathedral, not to be opened until 3790 ... Another side of its production is inspired by the “dream” life of a 19th century seamstress, Lydia Jacob, whose sketchbook Raymond Waydelich acquired at the Marché aux chips in 1973. The episodes of Lydia Jacob's life are retraced through a wide variety of plastic means: painting, sculpture, collages, assemblages, watercolors, engravings… These works often take the form of tributes to a famous character , to brands, places, or commemorating Lydia Jacob's imaginary travels. They are frequently invested by a earthy bestiary with half animal and half human expressions (crocodiles, deer, pigs, poultry, fish, etc.), in a spirit poet ique tinged with humor, dreamlike and humanism.
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