Artistic Composition, 1973
Hans Richter  

Print : etching · 49.5 x 34.5 x 0.1 cm 19.5 x 13.6 x 0 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Print : numbered and limited to 99 copies

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

49.5 x 34.5 x 0.1 cm 19.5 x 13.6 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description
Artistic Composition is an original etching realized by Hans Richter in 1973. Hand-monogrammed in pencil on the right margin, HR. Numbered edition of 99 copies.

Hans Richter (Berlin 1888.1976) was a German director, painter and writer. Director, film theorist and one of the greatest experimenters of cinematic aesthetics. Starting from pictorial experiences of abstract orientation, he dedicated his research from the beginning to the need to articulate the figurative space in a movement that went beyond the limits of the traditional framework.

Abstract

Beige

Grey

Hans Richter, Artistic Composition

Hans Richter

Germany  • 1888

Presentation

Richter was born in Berlin into a prosperous Jewish family, one of six children. Richter began to draw in his early high school days, producing several portraits of his schoolmates as well as sketches from nature and urban life. By 1913, Richter had entered the avant-garde circles of the Berlin art world, particularly through his friendship with Herwarth Walden, editor of the seminal journal Der Sturm, as well as director of the Sturm Gallery, where Richter saw the latest Futurist and Cubist paintings and works by Expressionists such as Ernst Kirchner and Wassily Kandinsky. 

Richter plunged into this new movement, contributing to Dada shows and publications, and creating iconic Dada works such as the Visionary Portraits (1917) and Dada Köpfe (Dada Heads, 1918). Richter believed in the artist's power to shape political and social ideas, but it needed a universal language that could be understood by all - the language of abstraction. From Zürich he continued to contribute to Die Aktion but also to new ventures such as the Dutch periodical De Stijl, edited by Theo van Doesburg.

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