Barrio Chino, Barcelona, Circa 1990
Henri Cartier Bresson   Master Artists

Photography : silver print · 56 x 37.8 x 0.1 cm 22 x 14.9 x 0 inch

€8,580 8 580 €

One of the last works available by this artist

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Shipped from: Australia

Delivery to: France , € 208

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 75 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cminch )

56 x 37.8 x 0.1 cm 22 x 14.9 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2023 • Top Seller

Description
Barrio Chino, Barcelona, 1933.
This example was printed later.
Hand signed in ink lower right.
Edition 65/75 in lower left.
Image: 35.7 x 23.6 cm.
Sheet: 56 x 37.8 cm.

Bibliography:
Henri Cartier-Bresson,
Premières photos: de l'objectif hasardeux au hasard objectif, a study by Peter Galassi, Éditions Arthaud, Paris, 1991, p. 76.
Henri Cartier Bresson, Barrio Chino, Barcelona
France  • 1908
122 followers

Presentation

Henri Cartier-Bresson, born in 1908, was a French photographer.

He is considered to be one of the pioneers of photojournalism with an artistic twist. In 1947, he founded the famous Magnum Photos agency, together with Robert Capa, David Seymour, William Vandivert (de) and George Rodger.

Known for his precision and the plasticity of his compositions (that he would never crop), he worked especially in street reportage, and he managed to represent the picturesque or significant aspects of daily life. His black and white photographs made a significant impact upon the history of art.

In 2003, a foundation named after himself was opened in order to preserve and present his work.

"For me, the camera is a sketchbook, an instrument of intuition and spontaneity, the master of an instant that, in visual terms, questions and decides at the same time. In order to "signify" the world, one has to feel involved in the frame they are cropping through their viewfinder. This attitude demands concentration, sensitivity, and a sense of geometry. One can reach the simplest expression through economy of means and while forgeting oneself."

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