Untitled V and IX. Diptych, 2016
José Sierra  

Photography : color edition, archival pigment print · 39.9 x 119.9 x 0.3 cm 15.7 x 47.2 x 0.1 inch

€2,341 2 341 €
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Delivery to: France , € 180

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 10 copies

10 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cminch )

39.9 x 119.9 x 0.3 cm 15.7 x 47.2 x 0.1 inch Height x Width x Depth

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Description

This artwork is a captivating diptych that juxtaposes human presence with the vibrancy of nature. On the left, a person is partially visible among dense, lush greenery, evoking a sense of harmony with the verdant surroundings. The composition captures the interplay of light and shadow, highlighting the rich textures of the foliage. On the right, an empty wooden chair draped with a striking red cloth contrasts against the wild landscape, suggesting an untold story or an impending return. This red cloth serves as a focal point, drawing attention and adding an element of mystery. The arrangement invites the viewer to ponder the relationship between humanity and the natural world, and the transient impressions we leave behind. The dynamic tension between presence and absence enhances the narrative depth, offering a visually and intellectually stimulating experience.

This work is the result of an artistic residence outside his "study".The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of Huila, Colombia. It is important to highlight the practice session of watching over and recording each detail of this space to get a correct reading between the aesthetics of the place and the body. Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge traditional norms. His art often merges personal identity with broader cultural commentary, as seen in his notable works like "Anti-Personnel Grids" and "Self-Portrait." Sierra's pieces are a bold fusion of urban art and intimate self-exploration, reflecting his dynamic engagement with contemporary culture. 

From La costilla roja (The red rib) Series. Archival Pigment Print Dimension: Overall size: 15.7 x 47.2 in. Individual Size: 15.7 x 23.6 in. Edition of 10 + 2AP Other sizes: 23.6 x 70.8 in. Edition of 10 + 2AP

José Sierra, Untitled V and IX. Diptych

José Sierra

Colombia  • 1991

Presentation

Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.

In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."

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