#18 From El envuelto Divino Series, 2021
Photography : color edition, archival pigment print · 101.6 x 69.9 x 0.3 cm 40 x 27.5 x 0.1 inch
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Shipped from: United States
Delivery to: Germany , € 232
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
101.6 x 69.9 x 0.3 cm 40 x 27.5 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
#18, 2021 From "El Envuelto Divino" Series
Image size: 40 x 27.5 in. Edition of 10 + 1AP Archival Pigment Print on Hahnemühle paper
More Editions & Sizes Small: 24 in. H x 16.5 in. W. Edition of 10 + 1AP
This artwork presents a striking depiction of a solitary chicken perched atop a rough, rectangular block, creating a juxtaposition of life against an industrial backdrop. The chicken, rendered with meticulous detail, draws attention with its contrasting white feathers speckled with hints of black. The artist masterfully captures the texture and volume of its plumage, emphasizing the natural elegance of the bird. The concrete block, simplistic and unrefined, serves as an anchor, grounding the composition and highlighting the chicken's vulnerability and resilience. On the left, there is an intriguing element of netting, possibly suggesting themes of entrapment or confinement. The minimalist background, in muted tones, ensures the focus remains on the central figure, creating a contemplative space that invites reflection on the relationship between nature and human-made environments. This piece stands out for its serene yet thought-provoking simplicity.
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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