#18 From El envuelto Divino Series, 2021
José Sierra  

Photography : color edition, archival pigment print · 101.6 x 69.9 x 0.3 cm 40 x 27.5 x 0.1 inch

$2,000 2 000 $US
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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 10 copies

10 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

101.6 x 69.9 x 0.3 cm 40 x 27.5 x 0.1 inch Height x Width x Depth

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Description

#18, 2021 From "El Envuelto Divino" Series 

Image size: 40 x 27.5 in. Edition of 10 + 1AP Archival Pigment Print on Hahnemühle paper 

More Editions & Sizes Small: 24 in. H x 16.5 in. W. Edition of 10 + 1AP 

This artwork presents a striking depiction of a solitary chicken perched atop a rough, rectangular block, creating a juxtaposition of life against an industrial backdrop. The chicken, rendered with meticulous detail, draws attention with its contrasting white feathers speckled with hints of black. The artist masterfully captures the texture and volume of its plumage, emphasizing the natural elegance of the bird. The concrete block, simplistic and unrefined, serves as an anchor, grounding the composition and highlighting the chicken's vulnerability and resilience. On the left, there is an intriguing element of netting, possibly suggesting themes of entrapment or confinement. The minimalist background, in muted tones, ensures the focus remains on the central figure, creating a contemplative space that invites reflection on the relationship between nature and human-made environments. This piece stands out for its serene yet thought-provoking simplicity.

Animal

Birds

Chickens

Rocks

Monochrome

Latin-American Art

José Sierra, #18 From El envuelto Divino Series

José Sierra

Colombia  • 1991

Presentation

Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.

In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."

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