Asimetrias #5, 2026
Alec Franco  

Painting : oil, acrylic, mixed media · 199.9 x 149.9 x 0.3 cm 78.7 x 59 x 0.1 inch

€7,675 7 675 €
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Shipped from: Argentina

Delivery to: France , € 406

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

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Dimensions ( cminch )

199.9 x 149.9 x 0.3 cm 78.7 x 59 x 0.1 inch Height x Width x Depth

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Description

A vibrant dialogue between structure and chaos. This 2026 artwork merges oil, acrylic, and mixed media into a singular expressive force. Bold lines intersect with organic shapes. Deep crimson and ochre tones clash against a serene, pale blue background. The composition feels suspended. It breathes through a tension of opposites. 
The artist draws from a rich background in graphic design and abstract expressionism. Every stroke reveals a precise yet intuitive hand. Dark, calligraphic contours weave through the center. They create a visual puzzle of overlapping planes. These elements suggest a mental map or a complex internal architecture. 
The use of mixed media adds tactile depth to the surface. Thin washes of color contrast with dense, opaque applications. This layering creates a sense of movement and depth. The eye wanders through the winding paths of the composition. It discovers hidden intersections and sudden bursts of warmth. The piece concludes with a delicate, sweeping orange line that anchors the floating central mass to the ethereal space around it.

Asymmetries explores the capacity of emptiness to produce meaning. Painting is no longer understood as an accumulation of matter but begins to function as an economy of decisions, where each gesture acquires intensity precisely because there is a vast surface that chooses to remain silent. Organic forms do not represent objects; they function as events. They burst forth, condense, and then seem to dissolve within a space that never attempts to become complete. The work suggests that balance is not a geometric condition but a perceptual experience: what appears unbalanced finds stability thanks to the relationship between density and emptiness, between expansion and restraint, between presence and absence.

Franco's work plays between the limit and the no limit, imagining the idea of macro universes and micro cosmos, combining them in the same space, mixing, separating and uniting dimensions. It is through the presence of color, combined with an abstraction sometimes with expressionist and many other surreal overtones, where his work expands in various formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood and steel) transiting mixed materialities that overlap, crushing the apparent figures against heterogeneous backgrounds. Franco's work plays between the limit and the no limit, imagining the idea of macro universes and micro cosmos, combining them in the same space, mixing, separating and uniting dimensions.

Alec Franco, Asimetrias #5

Alec Franco

Argentina  • 1972

Presentation

Alec Franco was born on August 7, 1972 in Buenos Aires, Argentina, where he currently resides. He has been a graphic designer since 1995. He began painting in 1991 and in 1993 he attended the drawing and airbrushing workshops of Ignacio Otero. His training continues in the workshops of Abstract Expressionism of Marco Otero, of Essentialism with Heriberto Zorrilla and Helena Distéfano. 

By 2012 he deepened his technique with Sergio Bazán and later perfected in the clinic of Fabiana Barreda and that of María Carolina Baulo who was curator of one of his latest samples Harena. He has been editor together with other artists, writers and designers of Hoornik Collection Art Magazine since 2016. 

He has made numerous samples between 2011 and 2017: at The Redchurch Gallery in Shoreditch, London in 2012-2013; Stupid perfection at the Borges Cultural Center in 2013; at the Buenos Aires Design in 2015; in the same year in the Honorable Senate of the Argentine Nation and in the Recoleta Cultural Center of Buenos Aires; the following year at the San Isidro Open Studio. The most recent: Harena, was exhibited at the Newbery Central Gallery and the Esteban Lisa Foundation in 2017.

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