Scarlet Umbrella on a Green Field, 2003
Painting : oil · 45 x 44 x 2.5 cm 17.7 x 17.3 x 1 inch · Ready to hang
$1,123
1 123 $US
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
45 x 44 x 2.5 cm 17.7 x 17.3 x 1 inch Height x Width x Depth
Artwork dimensions including frame
51 x 52 x 2.5 cm 20.1 x 20.5 x 1 inch
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Art gallery
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Vetted seller since 2021
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This seller offers discount when you purchase multiple artworks.
Description
The history of the emergence of this painting has absorbed three completely different layers. One: with friends we are driving along the Odessa highway at a fairly high speed. With a soft, defocused gaze, I gaze at the grass growing on the side of the road right up to the border of the field. It turns out that if you look like this, without getting attached to looking at a certain point, you see how the grass swirls into whirlpools - some part of it runs up to you, some runs away, some is in the spotlight right now.And so it is endless. An endlessly running whirlpool.
Second: Hegel somehow dared to write about a point that embraces infinity and infinity, placed at a point (in the work "Philosophy of Religion", if anything), and I was reckless to understand this issue. Third: the end of June, bustling heat, familiar to those who are not by hearsay familiar with the Lithuanian summer. A large field turned into a sports field.Lia Reinin, multiple champion and holder of all sorts of high titles in karate, commands a group of about twenty people: “Ech! No! San! Si! " and all that, - we hold our hand, sit down, turn sharper, repeated twenty more times, which should be said in such cases. The concentration of the students is easy to understand - it is connected with almost banal survival from the exertion of forces.And on the edge of the retina, we notice a moving group of three people: Master, Master and Master. The master carries a large, open scarlet, an umbrella that escapes from the landscape, context, and the whole village life in a different way. For a while they look at the students. Then the Master folds the umbrella and in one movement sticks it into the hot, dry as a horse's hoof, earth. They are going away.The umbrella remains. As all the participants in this training said later, when the umbrella fell into the field of vision, it seemed, but what seemed there - there was a complete impression - that the Master was standing there.
And here is this running grass. And my view. And a point containing infinity. And infinity that fits at this point. A scarlet umbrella on a green field.
Second: Hegel somehow dared to write about a point that embraces infinity and infinity, placed at a point (in the work "Philosophy of Religion", if anything), and I was reckless to understand this issue. Third: the end of June, bustling heat, familiar to those who are not by hearsay familiar with the Lithuanian summer. A large field turned into a sports field.Lia Reinin, multiple champion and holder of all sorts of high titles in karate, commands a group of about twenty people: “Ech! No! San! Si! " and all that, - we hold our hand, sit down, turn sharper, repeated twenty more times, which should be said in such cases. The concentration of the students is easy to understand - it is connected with almost banal survival from the exertion of forces.And on the edge of the retina, we notice a moving group of three people: Master, Master and Master. The master carries a large, open scarlet, an umbrella that escapes from the landscape, context, and the whole village life in a different way. For a while they look at the students. Then the Master folds the umbrella and in one movement sticks it into the hot, dry as a horse's hoof, earth. They are going away.The umbrella remains. As all the participants in this training said later, when the umbrella fell into the field of vision, it seemed, but what seemed there - there was a complete impression - that the Master was standing there.
And here is this running grass. And my view. And a point containing infinity. And infinity that fits at this point. A scarlet umbrella on a green field.
Presentation
Kizub Olha, painter.
Born in 1968 in Kiev. In childhood, if there was not enough paper or inspiration required other expressive means, I painted on the walls: at the piano, behind carpets.
I started going to the ArtStudio at the DSC at the age of 7 on my own, which surprised the teacher and, especially, my parents. At the age of 13 I entered the school of arts named by Zhukovsky (then school number 6). But I did not enter the art institute — because I was very worried that a little life experience at 17 would not give food for paintings. I received two higher education. Basic - KPI, electrical engineer, red graduate degree and postgraduate study. Fate turned the wheel again, and the years of Perestroika passed in the cooperative movement and the study of philosophy and psychology (St. Petersburg, social psychology).
And in 2000, I suddenly realized that everything was ready to draw. I came to my friend Lena Kirdina (teacher of painting and composition at the institute), she lent me a pair of old brushes and canvases ... After a year, the galleries of Kiev took over my works.
In 2005 The painting "Song of Solveig" won the Grand Prix at the exhibition of young artists of Ukraine, and „Music of Sphears“ - People's Choice Award.
In 2007 The first personal exhibition took place in the NEF Gallery, Kyiv-Pechersk`s Lavra.
In 2016 second personal exhibition in the gallery MYTETS, Gallery of the Union of Artists of Ukraine.
In 2018 — the third personal exhibition in the gallery HOUSE of PICTURES.
2019 — big personal exhibition in the Museum of Kyiv`s History.
Also I took part in many group exhibitions in different galleries in different years, the paintings were exhibited in the Verkhovna Rada of Ukraine, from 2019 are on permanent exposition at the GAMMA gallery (the best gallery in Kiev according to Vancouver).
In addition to easel painting (mostly oil on canvas), I have also did monumental works: Mediterranean landscapes with a total area of 22.5 sq. m, disco dynamic paintings about 80 sq. m.
My works are in private collections in Chicago, Detroit, San Francisco, Hamburg, Berlin, Warsaw, Stocholm, Odessa, Ivano-Frankivsk, Moscow, Riga, Vilnius, St. Petersburg, Kiev, Brovary.
I have a Facebook page I love to sing, I write poems.
I love music very much - many pictures are drawn precisely based on the concerts, symphonies.
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