Untitled, 2005
Anselm Reyle  

Painting : acrylic, mirror, mixed media · 224 x 189 x 3 cm 88.2 x 74.4 x 1.2 inch · Ready to hang

$93,675 93 675 $US

One of the last works available by this artist

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Shipped from: Greece

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

224 x 189 x 3 cm 88.2 x 74.4 x 1.2 inch Height x Width x Depth

Sold by

Art gallery

Professional art gallery • Greece

Credentials

Vetted seller since 2019

Description
Comes with preservation booklet from the Artist and with great Provenance.

Abstract

Abstract art

Colors

Lines

Yellow

Anselm Reyle

Germany  • 1970

Presentation

Anselm Reyle was born in Tübingen, Germany in 1970. He currently lives and works in Berlin.

The work of Anselm Reyle is intimately linked to Modernism, borrowing, critiquing, and reinventing its conventions all at once. Reyle's abstract sculptures and paintings are made with fluorescent colours, found objects, and shiny common materials including foil, glitter, and mirrors. 

Inspired by early abstract painter Otto Freundlich and using techniques innovated by Jackson Pollock and Barnett Newman, Reyle self-consciously revives aspects such as Hard-Edged stripes and the gestural brushstrokes of Abstract Expressionism. In 2011, Reyle made his affinity for popular culture explicit, designing accessories for fashion house Dior.

The artist's past solo exhibitions include shows at the Modern Institute in Glasgow (2007) and Galerie Almine Rech, Paris; one of new sculptures and paintings at Kunsthalle Zurich (2006); Galerie Giti Nourbakhsch, Berlin and Gavin Brown's Enterprise, New York. He has also participated in numerous international group exhibitions including ones at Tate Modern, London and the Palazzo Grassi, Venice, Italy.

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