Sans titre, 1981
Painting : Watercolour, ink, Indian ink · 60 x 85 cm 23.6 x 33.5 inch · Ready to hang
€2,900
2 900 €
Delivered in time for Christmas
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 200
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , ink , Indian ink on paper
Dimensions ( cm • inch )
60 x 85 cm 23.6 x 33.5 inch Height x Width x Depth
Artwork dimensions including frame
85.5 x 110 cm 33.7 x 43.3 inch
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2021
Description
A beautiful wash and watercolor by Roger Edgar Gillet, faithful to his works of the 80s. Beautiful frame.
Presentation
Born in 1924 in Paris, Roger-Edgar Gillet studied at the École Boulle from 1939 to 1943. He was later a teacher at the Académie Julian from 1946 to 1948, where he meets Thérèse who would later become his wife.
Roger-Edgar Gillet creates at first abstract works. He takes part in exhibitions organized by critics Michel Tapié and Charles Estienne. He is asscoiated to the European Lyrical abstraction, also known as Informal Art or Nouvelle École de Paris (New Paris School), with painters such as Georges Mathieu, Pierre Alechinsky, Jean Messagier, Serge Poliakoff, Jean-Paul Riopelle, Jean Fautrier, Hans Hartung, Zao Wou-Ki...
Starting in the '60s, he becomes more interested in figuration, and humanity becomes the main theme in his works. His body of work is structured very clearly in series : the Judges, the Bigots, Marilyn, Musicians, Mutants... He also rinterprets religious themes such as the Last Supper or the Crucifixion. He creates landscapes in series such as Villes (Cities) and Marines.
Historically, Gillet has affinities with Goya and the Flemish James Ensor, and can be associated to the New Figuration and the expressionist movement.
Roger-Edgar Gillet creates at first abstract works. He takes part in exhibitions organized by critics Michel Tapié and Charles Estienne. He is asscoiated to the European Lyrical abstraction, also known as Informal Art or Nouvelle École de Paris (New Paris School), with painters such as Georges Mathieu, Pierre Alechinsky, Jean Messagier, Serge Poliakoff, Jean-Paul Riopelle, Jean Fautrier, Hans Hartung, Zao Wou-Ki...
Starting in the '60s, he becomes more interested in figuration, and humanity becomes the main theme in his works. His body of work is structured very clearly in series : the Judges, the Bigots, Marilyn, Musicians, Mutants... He also rinterprets religious themes such as the Last Supper or the Crucifixion. He creates landscapes in series such as Villes (Cities) and Marines.
Historically, Gillet has affinities with Goya and the Flemish James Ensor, and can be associated to the New Figuration and the expressionist movement.
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