Le parfait consiste en choses rondes, 2014
Painting : acrylic · 100 x 100 x 3 cm 39.4 x 39.4 x 1.2 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 100 x 3 cm 39.4 x 39.4 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
The artist is inspired here by the poetry of Pierre de Ronsard, “prince of poets and poet of princes”.
“The sky is not said to be perfect for its grandeur.
Luy and the Seine are for their roundness:
For the perfect sky consists of round things.
"Pierre de Ronsard's parfait of the circle as well as the sculpture" The Stone and Good Luck "composed of a cube and a sphere, the ideal shapes in Goethe's garden in Weimar, deeply inspired Ulrike's work. Nagel.
The round shape is perfect, but also fluctuating, unstable, light, caught in a permanent movement. For his paintings, the artist develops a multitude and an association of different colors, harmonious, transparent and deep, in permanent movement.
“The sky is not said to be perfect for its grandeur.
Luy and the Seine are for their roundness:
For the perfect sky consists of round things.
"Pierre de Ronsard's parfait of the circle as well as the sculpture" The Stone and Good Luck "composed of a cube and a sphere, the ideal shapes in Goethe's garden in Weimar, deeply inspired Ulrike's work. Nagel.
The round shape is perfect, but also fluctuating, unstable, light, caught in a permanent movement. For his paintings, the artist develops a multitude and an association of different colors, harmonious, transparent and deep, in permanent movement.
Presentation
Internationally renowned artist Ulrike Nagel is of German origin.
His painting is abstract, lyrical and expressive. She perceives intense colors as a source of energy, a solitary force and the expression of the most diverse feelings.
The multiple layers that she applies to the canvas are a subtle blend of transparency and depth; their interaction creates a visible and vibrant surface.
Ulrike takes his place among those who explore the magical territory of the inner image and participate in the evolution of the genre of abstraction.
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