Lever de soleil à Poaka, 2020
Painting : oil · 195 x 130 x 4 cm 76.8 x 51.2 x 1.6 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
195 x 130 x 4 cm 76.8 x 51.2 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2017
Description
Mid March 2020 Juliette June returns from a trip to Australia and New Zealand loaded with dozens and dozens of drawings and sketches. Like photosensitive paper, their surface was “impressed” by the artist, in the original sense of the term.
There followed a back-and-forth work between drawing and painting; voluntarily making an effort of memory to find the lights, the colors, the textures and the construction of a landscape. His film was not that of a film, but that of his memory. And his revealer, his hand that slides on the paper or the canvas.
"If my memory is a lake, then I swim on its surface, recovering from beyond, debris of memories, fragments of sensations, an orange light on the tent camping, the flexible horizontal line drawn by a duck and which cuts through the unfazed expanse. Sometimes I dive deeper in search of the exact color of the bed of the river. "
Presentation
Born in Paris in 1983, Juliette Jeanclaude, known as "June", graduated from the Central Saint Martins School of Arts and Design. After ten years in London working in the world of theater and contemporary art as an actress, stage designer, poet-performer and painter, she lives today in Saint-Jean-de-Luz since 2015 where she devote more intensely to painting. She receives the Young People's Prize at the Ducontenia Salon in 2017 for her painting "Dive or not? And his paintings are exhibited at Bleu la galerie and at the Galerie Mésanges in Biarritz.
"To be an artist is to feel first".
Her quest is to make visible the invisible to use Klee's words, to make tangible particular physical sensations, close to the state of grace, that she can feel in front of a landscape, by touching a stone, looking at someone 'a.
"Depending on the situation, I feel that my skin is more or less porous to the elements around me. When I go to buy bread, I am in a different state than when I slip under the water of a waterfall.
How then to refine his feelings in everyday life, enter the matrix and let emerge what should happen? I have fun creating protocols that open the channel of the human body and allow to enter into an intimate relationship with the elements, to increase my awareness to what is going through me in order to translate these bodily sensations into painting, drawing , sculpture, performance, poetry or video. "
Whether painting in painting, page in poetry or the body in performance, the artistic medium becomes the playground of this incessant quest where abstraction encompasses the figure, the unknown joins the story personal, the cosmic woof directs the baton of the conductor.
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