Frida Kahlo, 2021
Painting : acrylic · 50 x 75 x 5 cm 19.7 x 29.5 x 2 inch · Ready to hang
$1,162
1 162 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 192
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
50 x 75 x 5 cm 19.7 x 29.5 x 2 inch Height x Width x Depth
Artwork dimensions including frame
52 x 77 x 6 cm 20.5 x 30.3 x 2.4 inch
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
Artwork on wall. Signed by hand.
Presentation
Maurice Douard is a French artist born in 1951.
He ended up at the Beaux-Arts in Toulouse in 1971, where he distanced himself from the institution. His fame as "teacher of the teachers" lead him up a solitary path. The Warsaw school of chromatology attracted him.
Maurice Douard worked on light analysis, color dynamics, visual effects. Psychiatrists and psychologists backed him. This led him to express these theories with flat tint. He was looking for image deconstruction, but in a random way, favouring the approach by which the subject is fractured by human engineering. He shied away from all automatism linked to any form of machinery.
1990, disease struck him again and for 10 years his struggle against the disease will estrange him somewhat from the world, he will put a lot more effort in his inner circle and his atelier. Out of this distressing experience, a vision and the implementation of his thoughts which are currently on display, will arise.
He ended up at the Beaux-Arts in Toulouse in 1971, where he distanced himself from the institution. His fame as "teacher of the teachers" lead him up a solitary path. The Warsaw school of chromatology attracted him.
Maurice Douard worked on light analysis, color dynamics, visual effects. Psychiatrists and psychologists backed him. This led him to express these theories with flat tint. He was looking for image deconstruction, but in a random way, favouring the approach by which the subject is fractured by human engineering. He shied away from all automatism linked to any form of machinery.
1990, disease struck him again and for 10 years his struggle against the disease will estrange him somewhat from the world, he will put a lot more effort in his inner circle and his atelier. Out of this distressing experience, a vision and the implementation of his thoughts which are currently on display, will arise.
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