Carte secrète, oui il-y-a quelque chose., 1999
Painting : Watercolour · 70 x 60 x 0.1 cm 27.6 x 23.6 x 0 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 169
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour on paper
Dimensions ( cm • inch )
70 x 60 x 0.1 cm 27.6 x 23.6 x 0 inch Height x Width x Depth
Artwork dimensions including frame
90 x 70 x 3 cm 35.4 x 27.6 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2019
Discount
This seller offers discount when you purchase multiple artworks.
Description
Watercolor painting, from the secret card series dated 1999. Represents a black and green cross in a circle divided into colored squares in gradient from orange to brown. dated, signed and titled by the artist. Black frame under glass (anti-reflective plexiglass).
Presentation
Born in Moiodella Civitella, in the provence of Salerno (Italy) in 1934, Romano Zanotti began his artistic career in 1954. For more than 15 years he was permanently exhibited in the Gallery Denise Rene, as one of the leaders of the Kinetic movement with Vasarely, Agam and Soto.
Zanotti belongs to this spiritual family directed towards synthesis. Clarity of style, severity of construction, obsession with each gesture, and chromatic variations are combined with the grace of the composition.
Zanotti is influenced by the theme of veritable reality in painting and sculpture. He paints the canvas with infinite patience and, to him, painting is the space for illusion. He aims to reach the 'pure form', which hides behind the accidental appearance and the ephemeral perception of objects. He also strives to depict the 'true nature' of things. It is not enough for him to construct an ideal form; it is essential to acknowledge its appearance
Reviews from our customers
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