Red Lips, 2020
Elisabeth Constantin  

Painting : mixed media · 34 x 34 x 4 cm 13.4 x 13.4 x 1.6 inch · Ready to hang

€1,200 1 200 €

One of the last works available by this artist

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Shipped from: France

Delivery to: Germany , € 50

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

34 x 34 x 4 cm 13.4 x 13.4 x 1.6 inch Height x Width x Depth

Artwork dimensions including frame

35 x 35 x 5 cm 13.8 x 13.8 x 2 inch

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Description
Support: foreground is Plexiglas on a wooden frame background.

Framed in white.
Signed on the front.

Portrait

Women

Lipstick

Faces

colorful

orange

Green

Elisabeth Constantin, Red Lips
France  • 1969

Presentation

Passionate about creation since childhood, I decided to continue my studies in art and obtained a diploma in Applied Art, and Art and Printing in Lyon.
I have been involved in creation and artistic projects for over 27 years.

I worked in creative workshops in Germany and then in Lyon. 

Over the years, I devoted myself to painting, I exhibited in several international fairs and galleries. (Siac, Art3f)

My orientation is innovation, creation, vibrations
It is in 2017 that my evolution progresses by a change of support while keeping my style, for that I had to reinvent myself and dominate this new support.

My painting is on synthetic glass in 3 D multiplane, it is deposited at the INPI.

From the idea to the final prototype, it took me at least 2 years of research. 


My paintings are articulated on transparent layers, each transparent plane is painted in relation to the other then I install them one on the other at different levels and framed.
I make my paintings with different mediums to have a fluid or opaque appearance.

Thus the eye circulates between the various layers, between the opaque and the translucent. 

I wanted to make a bridge between the visible and the invisible, the hidden and not hidden.
I insert materials that I structure according to my inspiration, a work in volume.
This adds a three-dimensional effect to the depth.
The figurative and the abstract come together, a back and forth game.
An inside and out topside.

I am affiliated author and referenced artist.

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