Deep crying, 2024
Painting : resin, mixed media · 120 x 80 x 0.5 cm 47.2 x 31.5 x 0.2 inch · Ready to hang
€2,600
2 600 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 150
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
resin , mixed media on plexiglass
Dimensions ( cm • inch )
120 x 80 x 0.5 cm 47.2 x 31.5 x 0.2 inch Height x Width x Depth
Artwork dimensions including frame
121 x 81 x 4 cm 47.6 x 31.9 x 1.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
A visual artist, born in 1964 in Limoges, Marie Ange is a portraitist and feather artist.
Through her portraits, she expresses her desire for aesthetics and femininity, as well as her inclination towards melancholy and nostalgia. Her faces are powerful and convey a rare emotion.
The resin is applied to a plexiglass panel, which is positioned 3 cm from the wall thanks to the frame. Light from the window or a spotlight passes through the resin, and its reflection is projected onto the wall, thus doubling the original artwork.
Presentation
Marie-Ange Daudé is a French artist born in 1967 who lives and works in Gironde in France.
She studied management and urban planning, she lived among architectes and artists and got interested in the creative process. Her ecological preoccupations can be seen in her work, especially in her first works which she created from waste such as glass, cans and boxes.
She made a collection of 68 hearts, between 2012 and 2013, in which she uses a different technique in each one of them, a sort of love and artistic walk. She then decided to offer a new interpretation of old photographs to which she adds surprising material and elements such as staples and feathers. These broken portraits, glued and reconstructed are a sort of personal interpretation of the passing time.
More recently, she has been creating portraits out of feathers: portraits of women, both strong and delicate and nostalgic. The feathers are suspended on nylon wire, which gives the impression that the portraits are floating over the support.
Her work has been exhibited in numerous group and solo exhibitions.
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