Sans titre n°48, 2023
Mory Ouattara  

Painting : oil, acrylic · 50 x 70 x 1.5 cm 19.7 x 27.6 x 0.6 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

50 x 70 x 1.5 cm 19.7 x 27.6 x 0.6 inch Height x Width x Depth

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Art gallery

Professional art gallery • France

Credentials

Vetted seller since 2023

Description
The artist applies a thick layer of acrylic paint with a knife to which he adds oil paint with large impastoes. He finalizes the work by adding small touches of fluorescent paint. It thus offers a second reading in the dark with a black light.

Abstract

Landscape

Colors

Abstract expressionism

colorful

Yellow

Dark blue

Mory Ouattara, Sans titre n°48

Mory Ouattara

France  • 1982

Presentation

A self-taught artist, Mory Ouattara discovered drawing from an early age and began to draw on all the supports he could find: scraps of paper or cardboard and used, for lack of pencils, the remains of his teacher's chalk.

Very quickly, in 2010 thanks to national recognition, he created his gallery, the Soleil gallery.

In 2013 he was noticed by Gilbert COUDENE (creator of the City of Creation, to whom we owe the mural frescoes in Lyon, among others...).

He trained for 3 years at the International School of Mural Art ECOHLCITÉ.

He decides to devote himself exclusively to his artistic creation and creates his studio/gallery where he exhibits his work.

At the same time, he runs painting and sculpture workshops. And continues to honor commissions for murals.

Mory's work is abundant, rich in various subjects and pictorial techniques.

Working mainly in acrylic and oil with a knife on canvas or recycled materials, Mory offers us colorful works, in motion, as if the artist wanted to freeze time by offering us moments of life.

A double reading of his paintings is offered to us in the light of day and in the dark thanks to fluorescent paint and black light.

Its large layers of material combine roughness and lightness.

Mory is not interested in producing “beauty" but in getting the viewer to react with a strong proposal of emotions.

Reviews from our customers

All our reviews are extracted from Verified Reviews

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