Orí guerreiro daniel na cova dos leões, 2022
José Ignacio Suarez Solis  

Painting : acrylic · 119.9 x 179.8 x 0.3 cm 47.2 x 70.8 x 0.1 inch

€4,045 4 045 €
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Shipped from: Brazil

Delivery to: Italy , € 468

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

119.9 x 179.8 x 0.3 cm 47.2 x 70.8 x 0.1 inch Height x Width x Depth

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Description

ORÍ GUERREIRO DANIEL NA COVA DOS LEÕES, 2022 by José Ignacio Suarez Solis From the Series Figures Acrylic paint on canvas.

This dynamic artwork captures a vivid explosion of color and movement, featuring a pair of forceful, orange-toned arms emerging from a swirling, dark background. The bold brushstrokes convey a sense of power and urgency, while the textured interplay of yellow and blue hues adds depth and energy. The juxtaposition of the strong, angular lines of the arms against the chaotic, spiral effect surrounding the figure on the left creates a sense of tension and release. This captivating composition evokes themes of strength, transformation, and action, drawing viewers into its visceral impact. The piece’s abstract nature invites multiple interpretations, making it both intriguing and contemplative.

Abstract

Nude

Portrait

Brazil

Colors

Plants

Semi-abstract

Hands

Yellow

José Ignacio Suarez Solis, Orí guerreiro daniel na cova dos leões
Chile  • 1967

Presentation

Son of Cuban parents, José Ignacio Suarez Solis arrived in Rio de Janeiro during his childhood, settling in Bahia in 1974. Between 1987 and 1993 he studied in the United States, initially in New York and then on the West Coast, where he graduated with a B.A. Architecture from the University of Oregon. In Copenhagen (1990) he had contact with drawing and watercolor, starting to produce journals of sketches. He participated in his first exhibition in Oregon, in 1992. His first architectural project (1991) was the residence of the country, on the escarpment of Baía de Todos os Santos. In 1994, the artist settled on a coffee farm in Chapada Diamantina where he developed the practice of drawing and painting with greater regularity. A regular at Carybé's studio, he was influenced by sculptural practice involving the use of beaten iron. As an architect, José Ignacio was a project manager in the hotel sector, carrying out several transits throughout Latin America - which allowed him to improve his research and greater circulation of his work, integrating private collections spread across the places where he dwelt. In 2004 he did an artistic residency in Helsinki, Finland, redefining the use of your palette. Reinstalled in Salvador in 2018, the artist carries intellectual concerns that lead him between the affection for continental geography and the nostalgia for a destination. His investigations into the mythological imagery of indigenous matrices poetically translate into deities painted on canvas or sculpted in wood, stone, and iron.

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