Between fragilities, 2023
Ritchelly Oliveira   New & remarkable Artists

Painting : acrylic, charcoal · 204 x 148 x 2 cm 80.3 x 58.3 x 0.8 inch · Ready to hang

$23,185 23 185 $US

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Shipped from: Portugal

Delivery to: United States , $ 323

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

204 x 148 x 2 cm 80.3 x 58.3 x 0.8 inch Height x Width x Depth

Artwork dimensions including frame

208.5 x 154.5 x 4 cm 82.1 x 60.8 x 1.6 inch

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Credentials

Vetted seller since 2022 • Top Seller

Description

Surrounding the central figure are several doves in flight, their wings outstretched as they gracefully navigate the space around him. In Oliveira's artistic lexicon, birds symbolize fragilities, and the presence of these doves serves to underscore the theme of vulnerability inherent in the human experience. Their ethereal presence adds depth to the composition, hinting at the delicate balance between strength and vulnerability that defines the human condition.

The title, "Between Fragilities," further emphasizes this duality, suggesting a liminal space where individuals navigate the delicate interplay of their own vulnerabilities and resilience. Through this evocative painting, Oliveira invites viewers to reflect on the complexities of human emotion and the inherent fragilities that shape our relationships and experiences.

 

Ritchelly Oliveira, Between fragilities

Presentation

Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enrolling in visual arts at the Federal University of Goiás (UFG), he found in the human figure a space to present his speech about what he understands most profoundly present in affective relationships. He talks about what he suspects to be love and, believing it to be a universal feeling. It proposes what is common to men, even knowing that this love brings something that is also individual and particular.

Believing that affective relationships are built from the individual and how their surroundings interfere with them, we try to rescue here the possibility of constructing discourses about love, especially black love. The importance of reflecting together on issues such as sexuality, emotional responsibility and colorism are necessary canons in this invitation to embrace the dangerous and exclusionary ideals of romantic love that circulate in our environments.

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