Deep Blu : Azure Reflections, Tokyo's Depths in Manga Palette, 2009
Painting : oil · 220 x 160 x 5 cm 86.6 x 63 x 2 inch · Ready to hang
€8,800
8 800 €
Delivered in time for Christmas
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Shipped from: France
Delivery to: Germany Free delivery
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
220 x 160 x 5 cm 86.6 x 63 x 2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2014
Description
Deep Blu: Azure Reflections, Tokyo's Depths in Manga Palette exemplifies Jimmy Yoshimura’s mastery of chromatic symbolism and cultural layering within his series The Modern Ukiyo-e: Tokyo Tales in Manga Color.
This oil painting is structured around a dominant blue tonality that evokes introspection, emotional depth, and the quiet tension of urban identity.
A historical Japanese couple rendered in grayscale anchors the composition in tradition and inherited social order.
Opposite them, a contemporary female figure with electric blue hair embodies modern individuality and psychological intensity.
The blue palette operates as an emotional field, unifying memory, desire, and transformation.
Manga panels interspersed throughout the canvas introduce expressive immediacy and inner dialogue.
Yoshimura uses geometric segmentation to construct a visual rhythm that mirrors cinematic storytelling.
The contrast between monochrome photography and hyperrealistic color painting amplifies temporal dissonance.
Speech bubbles suspend the narrative, suggesting unspoken thoughts rather than explicit confrontation.
The artist’s precise oil technique enhances the tactile richness of skin, fabric, and hair.
His background in industrial and advertising design ensures clarity within complexity.
The composition reads as a psychological portrait of Tokyo itself—layered, restrained, and emotionally charged.
Blue becomes a metaphor for distance, reflection, and emotional resilience.
Jimmy Yoshimura is a major member of the Japanese collective CrazyNoodles, founded by Hiro Ando, a leading figure of the Nippon Neo Pop movement.
In this work, pop aesthetics and historical imagery coexist without hierarchy.
The manga drawing introduces fragility, contrasting with the controlled realism of the painted figures.
This visual duality defines Yoshimura’s distinctive Neo Pop language.
The artwork functions both as a powerful visual centerpiece and a contemplative cultural statement.
It reflects the evolving identity of Japanese youth negotiating tradition and global influence.
Collectors are drawn to Yoshimura’s ability to translate emotional complexity into striking visual narratives.
Owning this piece means acquiring a deeply atmospheric fragment of contemporary Tokyo culture.
The growing international recognition of the series confirms its relevance within global Neo Pop discourse.
Deep Blu stands as a pivotal work in Yoshimura’s exploration of color, identity, and cultural memory.
Acquiring this artwork offers collectors a refined and emotionally resonant painting destined to become a cornerstone of collections focused on contemporary Japanese art.
Presentation
Jimmy Yoshimura is a Japanese painter born in 1981 who currently lives in Tokyo. He studied industrial design and started a career in an advertising design agency. He was also passionate about painting, which he in practiced in parallel to his job, during his free time. His first drawings depicted mostly portraits of women of different ages and times. He uses photographs of another time and contemporary representations of manga creating this way a confusing association. This way, he confronts the cultural evolutions that has taken place. He contrasts the traditional values of his ancestors with new contemporary codes, which have a Western influence. In order to attain his purpose, he incorporates Japanese texts, reinforcing the Manga iconography. His work has been exhibited numerous times in Japan and throughout the world.
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