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Tjumpo Tjapanangka, Marpurri, Painting on canvas
Tjumpo Tjapanangka, Marpurri, Painting on canvas
Tjumpo Tjapanangka, Marpurri, Painting on canvas
Tjumpo Tjapanangka, Marpurri, Painting on canvas
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Tjumpo Tjapanangka, Marpurri, Painting on canvas
Tjumpo Tjapanangka, Marpurri, Painting on canvas
Tjumpo Tjapanangka, Marpurri, Painting on canvas
Tjumpo Tjapanangka, Marpurri, Painting on canvas
Tjumpo Tjapanangka, Marpurri, Painting on canvas
Tjumpo Tjapanangka, Marpurri, Painting on canvas
Tjumpo Tjapanangka, Marpurri, Painting on canvas
Tjumpo Tjapanangka, Marpurri, Painting on canvas

Marpurri, 1996
Tjumpo Tjapanangka

Painting : acrylic

120 x 80 x 2.5 cm 47.2 x 31.5 x 1 inch

€5,200 5 200 €

One of the last works available by this artist

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Secure delivery : France   + €66
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About the artwork

Type

Unique artwork

Signature

Not Signed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Medium

Painting: acrylic

Dimensions cm • inch

120 x 80 x 2.5 cm 47.2 x 31.5 x 1 inch Height x Width x Depth

Support

Painting on canvas without stretcher

Framing

Beige frame

Artwork dimensions including frame

121 x 81 x 3 cm 47.6 x 31.9 x 1.2 inch

Tags

Abstract

Yellow

Red

Artwork sold in perfect condition, framed, ready to hang

Artwork location: France

Tjumpo evoked in his paintings the landscapes of the Great Sandy Desert on the edge of which Balgo is located, a former Catholic mission where the Aborigines expelled from their ancestral lands were gathered in the 1930s.

Here, the artist wanted to represent a familiar landscape, Marpurri – a sacred site made up of swamps and two water points – represented by the circles which occupy the center of the canvas. It is around this axis that the rest of the canvas is organized where the artist preferred to blend the dotted lines usually used by desert painters into a system of continuous lines reminiscent of energy waves.

These "waves" symbolize both the runoff of rainwater, the slope of the hills around Balgo and more broadly an entire vast territory represented as if it were seen from a satellite: the canvas thus transforms into a real geological map bordered by a series of sacred sites.

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About the seller

Professional art gallery • France

Artsper seller since 2013

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Collector’s Guide

Tjumpo Tjapanangka, Marpurri
Tjumpo Tjapanangka
Australia  â€¢ 1929  - 2007

Presentation

Tjumpo's traditional homeland near Karnapilya in the area west of Lake Mackay (Wilkinkarra). He had become the most highly regarded Law Man in the community. In the late 1980's and early 1990's he lived at Yagga Yagga, about 150 kilometers south of Balgo Hills toward his country near Lake MacKay and moved to Balgo around 1996 after the community was abandoned.

In opting to employ simpler forms to depict the numinous landscape, Tjumpo's influence spread to other artists and has come to epitomize the transformation that has run through Balgo art since the mid 1990's. This minimalism, often restricting Tjumpo's iconography solely to undulating lines is reminiscent of the Pintupi creative approach. Though Tjumpo's work, like that of other Kukatja artists, is distinctly less formal than that of the Pintupi, this aesthetic overlap is nevertheless significant. During his career Tjumpo made occasional visits to Kiwirrkurra to stay with his countrymen and, on visits such as those in 1999 and 2004, he painted for Papunya Tula artists.

In both his art and his personal demeanour, Tjumpo Tjapanangka affected an infectiously vivacious and animated style. It is this energy and confidence that he employed to build the resonating planes that characterized his finest works and brought such critical acclaim. His wife Ningie Nangala shared his preference for softer colours, and to some extent this aesthetic can be seen in the more recent paintings created by his stepdaughter, Elizabeth Gordon, to whom he passed on a number of his Tjukurrpa (creation stories and lore).

Tjumpo and Ningie had many children whom have become significant artists in their own right including Winifred Nanala and Vincent Nanala, who are influenced by his structured, optical style.

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