Pato, 2024
Leonardo Aguirre di Matteo  

Painting : acrylic · 100 x 120 x 4 cm 39.4 x 47.2 x 1.6 inch · Ready to hang

$5,155 5 155 $US

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Shipped from: France

Delivery to: United States , $ 474

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 120 x 4 cm 39.4 x 47.2 x 1.6 inch Height x Width x Depth

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Vetted seller since 2015

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Description

This artwork is a vivid and dynamic piece that encapsulates the chaos and abstraction of a modern, multifaceted environment. At the heart of this composition is a dominant black rectangle, possibly symbolizing a screen or a window, representing a portal to the digital or another dimension. Surrounding this central figure are various amorphous shapes and vibrant splashes of color, creating a rich tapestry of visual elements that draw the viewer’s eye across every inch of the canvas. The colorful shapes, ranging from bold reds and bright yellows to deep blues and greens, are interspersed with both organic and geometric forms. These elements create an intricate dance of color and shape, suggesting a sense of movement and energy. The use of white space is sparing but effective, giving the individual shapes and colors room to breathe and further emphasizing their distinctiveness. Additionally, there is a sense of layering and depth, as some shapes appear to float above others, contributing to a three-dimensional effect on a two-dimensional plane. The round, hollow white circle at the top right could symbolize a ball or a sphere, and its overlying red square foundation gives it a distinct prominence and weight. A faint grid pattern peeking through amidst the chaos hints at underlying structures or systems that may be present but are overshadowed by the overwhelming abstract elements. This interplay between order and disorder, structure and fluidity, is a key aspect of the work’s compelling nature. This artwork is not just a visual feast, but also a thought-provoking piece that invites contemplation about the intersection of technology, environment, and abstract expression. Its bold use of colors, shapes, and spatial dynamics makes it an assertive statement in contemporary abstract art.

Leonardo Aguirre di Matteo, Pato
Uruguay  • 1968

Presentation

Leonardo Aguirre di Matteo is an Italo-Uruguayan artist born in 1968 who lives and works in Montevideo, Uruguay. For many years, he develops the concept of Resonant Rhythms that is exploring the intersection between music and sports delves into a realm where vibration and rhythm intertwine to create unique experiences. Each sporting event, with its intense moments and dynamics, generates a symphony of sounds that resonate both in the environment and within those who experience it. From the echo of footsteps on the court to the murmur of the crowd, every detail contributes to a rich sensory texture. Similarly, music has the power to transport us to different emotional and mental states, creating soundscapes that evoke deep and personal feelings. When we merge these two worlds, the experience becomes a celebration of artistic expression in its many forms. This project aims to combine the dynamism of sports with the emotional depth of music, creating a space where both intertwine to inspire reflection and emotional connection. Art manifests in both athletic movement and musical compositions, and by integrating these elements, we invite a richer and multidimensional experience. This fusion highlights how both sports and music can elevate our understanding of art and expand our appreciation of the vibrations surrounding us. The work should be fully experienced by listening to the music through electronic devices, allowing each individual to interpret and feel this unique intersection in their own way. In 2024, he has been selected to Salón Nacional de Artes Visuales in Montevideo, Uruguay. He notably worked with ADA Gallery, Richmond, USA, Galleria Bettina in Paris, France and Bohemian Art Gallery in Montevideo, Uruguay. 

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