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Crystal Vision, 2024
Madonna Phillips  

Painting : acrylic, glass, collage, mixed media · 71.1 x 142.2 x 4.3 cm 28 x 56 x 1.7 inch

€4,834 4 834 €
Delivered in time for Christmas

One of the last works available by this artist

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Shipped from: United States

Delivery to: Germany , € 136

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cm • inch )

71.1 x 142.2 x 4.3 cm 28 x 56 x 1.7 inch Height x Width x Depth

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Credentials

Vetted seller since 2021 • Top Seller

Description

This striking artwork stands as a testament to the harmonious chaos that abstract art can embody. The painting is imbued with an eclectic mixture of vivid colors juxtaposed with muted tones, creating a captivating visual symphony. Intricate patterns and intersecting lines dominate the canvas, weaving an elaborate narrative that invites viewers to delve into an enigmatic world. Central to the composition are dynamic, sweeping curves that guide the eye rhythmically across the scene. These arcs intertwine seamlessly with geometric shapes and fragmented forms, forming a complex mosaic that defies traditional artistic conventions. Amidst this labyrinth of lines and colors, subtle hints of architectural elements emerge, suggesting an abstract cityscape or a surreal landscape. A distinguishing feature of this artwork is its meticulous textural quality. The overlapping strokes and layered hues impart a rich, tactile dimension to the piece, compelling observers to not only view but almost feel the depth and complexity it portrays. Each section of the canvas reveals a multitude of details, from the faint, almost ghostly outlines of unknown symbols to the bold, vibrant splashes of color that punctuate the composition. The artist masterfully plays with light and shadow, creating an illusion of movement and fluidity. There is a palpable sense of energy and motion, as if the elements within the artwork are alive and constantly in flux. This dynamic interplay between stillness and motion is one of the unique aspects that make this piece exceptionally engaging. In summary, this artwork is a masterful blend of abstract expressionism and intricate detail, offering an immersive experience that challenges and captivates. Its complexity and depth invite endless exploration, making it a fascinating focal point for any discerning admirer of contemporary art.

Madonna Phillips, Crystal Vision
United States

Presentation

Madonna's original art technique in glass and mixed media developed after studying with a master stained glass painter and experimentation. She is inspired by the qualities of glass and its relationship to design, architecture, science and the connections between art and design.

The starting point is usually collage from found materials. These materials are layered and painted, hand cut pieces of glass are reverse painted and applied to the surface. Around each piece of glass Madonna will pour a clear medium to fuse the piece together. The result is a shimmering surface with constantly changing reflection as the viewer passes by.

Artist statement

In 1974 I began working in the art department of Stained Glass Assoc. Knightdale NC. During my apprenticeship at SGA I studied in New York with John Nusbaum, “master glass painter," taking part in private classes at the Cloisters and learning traditional methods of cartoon rendering and glass painting. I participated in designing and painting glass for many years at SGA.
During the 1980's I became interested in North Carolina crafts, NC being home to the oldest craft school in America and attended classes at The Penland School. My work evolved into mixed media, fabric surface design, and working with glass beads. I became an exhibiting member of  fine art guilds,  Piedmont Craftsmen in Winston Salem, and Carolina Designer Craftsmen, Raleigh, NC.

The 1990's brought more change and participation in national shows. I now had a full time studio and traveled, exhibiting in American Craft Council shows and juried shows such as the Smithsonian Craft Show. My work took a personal and feminist direction using humor  in statement based work and storytelling, I began making box art with found materials. Just as Betty Friedan used magazines in her famous book, “The feminine mystique," I used print from the past, but still relative, in my boxes and shrines.

In 2002 Sean Kelley, New York gallerist and director of Grande Arts Kansas City, traveled the state of North Carolina to choose 23 of the most innovative artists in North Carolina. Exhibition followed  “Grand Arts at Green Hill, Green Hill Center for the arts in Greensboro, NC. Many exhibitions followed, Chicago's The Artist's Project, Pool Art Fairs in New York and Miami, Architectural Digest shows in New York. Change is a constant, I returned to working with glass but with change in materials and approach, mixing cut clear glass with found materials, my original technique. Now my work is concerned with design, science, and architecture. My work is taking new turns every day. With Ai Bo Gallery we are reaching international audiences and collectors.

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