Bout de caillou - Maison perchée - série Paysage imaginaire figuratif, Circa 2024
Painting : Watercolour · 30 x 24 x 0.2 cm 11.8 x 9.4 x 0.1 inch
$145
145 $US
Delivered in time for Christmas
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Shipped from: France
Delivery to: United States , $ 22
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
30 x 24 x 0.2 cm 11.8 x 9.4 x 0.1 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Description
This captivating watercolor depicts a small house perched on a rocky promontory, overlooking serene waters. The color palette, dominated by shades of blue and brown, lends a peaceful and mysterious atmosphere to the scene. The delicate brushstrokes suggest the rough texture of the rocks and the mirror-like surface of the water. The sky, dotted with soft clouds, harmoniously frames the composition, accentuating the house's sense of solitude and refuge. The red roof of the building provides a striking contrast, immediately drawing the eye. This work succeeds in capturing a moment suspended in time, where nature and architecture harmonize spectacularly. The whole evokes both isolation and symbiosis with the surrounding landscape.
Presentation
I have been a watercolorist for over twenty-five years. I trained as an artist at the Emile Cohl school (Lyon). This school certainly trained me in illustration, but above all I learned all the basics of drawing and painting. I developed an open-mindedness by approaching academic drawing as well as computer graphics, sculpture and comics. I demonstrate the same rigor in my work for publishing as in my work as a watercolor painter: my intention is precise.
I have a good command of all the stages of work, from sketching to coloring. I do a lot of research in pencil in order to compose my future painting. I do not work in the wet. I favor colored grays enhanced with a few saturated touches. My range of colors is therefore quite limited, essentially natural shades that I spread in light layers, willingly freeing myself from the drawing which only serves as a reference. My favorite themes in watercolor are nudes of imperfect but real women, with sweet curves on the hips, greedy on the lower back, chiaroscuro women, animal portraits with a deep and penetrating gaze and narrative, mysterious and poetic landscapes.
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